dear you, my friend, my confidante, my pen-pals.

I have a lot of pen-pals. You know? Pen pals — those people who your third grade teacher somehow arranged for you to write to so that you, the youth of America, could get to know the intricate lives of other kids in other towns. So you could spread your mind. Expand your universe. Realize you're not so alone. Those. Those are the pen-pals, I speak of.

As I've continued on this seemingly endless journey, I've managed to keep a running list of friends who have become better friends as a result of letter writing, far beyond the bounds of that elementary tradition. As I continue to move and change and grow and live, people drop off and pick up — and it's fun. Sometimes I forget who I wrote to and what I wrote them until I get a letter back...like a little treat. I keep them all, the letters/cards/notes. I put them in a shoebox and every now and again, I pull them out, remember the moments that went into them. I reread over and over. They're reflections of the lives we were leading in that moment, however far apart, however close together.

I think there's something truly exciting about writing someone a letter. The reality that there is only one copy, that once the envelope is open and its contents delivered, that sensational anticipation withers until the next go-around. The struggle of a hand cramping, a tear smudging, the USPS seemingly dousing the whole thing in a bunch of dirt...

Sometimes I write long notes, sometimes short, but I sort of like not knowing exactly what I wrote once it's stamped, sealed and sent.

It's so easy to write and rewrite and go back and clarify things on a computer, that sometimes I wonder if it even matters — my life edited is not my life. There's something to be said about the intention that goes into writing a letter, hoping to remember exactly what I told someone, remembering the questions I asked, the thoughts swirling in my mind at the time.

With computers and email and texting and comment threads and message boards and all these different ways to "drop a quick note," I revel in the one-on-one correspondence of it all. I revel in having only their responses to go off of, like a Best Friend necklace, we each have our sides, even if we're not best friends.

A few weeks ago a friend sent me a letter that detailed his life.

We've known one another for years now, peripherally, but letter writing has since made it more apparent how similar our overall experiences and thoughts are, while also showing how incredibly different our day-to-day lives actually are. We started at the same University at the same time, wrote for the same college paper, and though we didn't know each other well — well enough to say, "Hi," to befriend one another on social media, to feel comfortable "liking" a photo on Facebook, or thoughtfully responding to a status update — we've struck up a friendship born from our mutual desire to share.

Putting our minds, our worries, our thoughts of the moment, to page in specific correspondence with one another — I don't know — it feels more real than some of my daily relationships.

At the moment I have three regular pen-pals, and a harbor stocked with friends I write regular emails to, and even more who read this blog (the ultimate one-way pen-pal situation, so I guess just pen?).

Sometimes depending on the pen-pal, it feels as if I'm reading the book of their life, and they're reading mine, like a memoir unedited, unabridged and unending. It's a delight, and I hope it doesn't ever stop. As friends come and go from my life, as in-person relationships fade with distance and time, I'm glad that however arcane it might be to grab a ballpoint and a college-ruled piece of paper, I have people who's addresses I can send to knowing they're excited to hear from me.

Write more, everyone.

hate mail / hate male: i did it for the jokes.

At the start of my collegiate writing career I experienced one of my then most exciting comedy breakthroughs — an opportunity to write The Ledge, a weekly joke column for my school newspaper, The Daily Iowan. Being offered this chance to deliver to the masses a social comedic commentary that would truly influence lives (!!!) was like being offered Saturday Night Live directly by Lorne Michaels himself. It was something I never imagined I would get to do, but there I was, doing it —as a sophomore, no less. (I would like the record to reflect that I am now able to see that my sights were not set high enough.)

The previous week Michael Moller, a DI colleague of mine, wrote a Ledge titled, "Sexual Things Women Don't know About Men." It was funny, if generic, and having grown up with four brothers, I got the jokes. What I didn't get at the time was that for many college boys, that bulleted list wasn't a joke like I saw it — a list highlighting the "funny" things that used to be true, things that are so ridiculous that they're clearly a joke. No, Michael's list for many guys (at least at the University of Iowa, and continues to prove elsewhere) was the Truth List, funny because it belittled their female peers.

On one end of the scale, the column read, "Every guy has measured his penis..." (laugh-worthy, sure) and on the other side of the jaw-dropping chuckle fest, "If they have an STD, they will not tell you" (a pretty blatant violation of sexual trust).

But, hey, it was a joke. I love jokes. Still do. And, I am absolutely positive all those gals with HPV have been laughing nonstop about this one.

So, I decided to write a "Come-back" column. At the time I thought I was on the cusp of some major Men are From Mars, Women are From Venus precipice, ready to discover something truly original in what I now know is a never ending conversation about gender roles that I hate. I was young. I didn't know!

I wrote my list, my hilarious, insightful, indignant and violently hyperbolic list: "Things Men Should Know About Women." I proclaimed things like, "We all are smarter than you, wherever you went to
school and whatever your GPA is." God, I was good. I played with words like Seshat would, spilling my outspoken female psyche onto giggling co-eds. "We’ve got feminine wiles. Did anyone ever hear of male wiles? No." And, they didn't, and don't.

I was a brilliant mastermind falling right into a clichéd collegiate squabble. But, hey it was a joke! I did it for the laughs! I only wish I knew that it wasn't some dumb playground back-and-forth. I wish I knew that this conversation, these sorts of "men do this, and women do that," ping-pong competitions, jokes or not, are so, so dumb.

Shortly after my list was published I received a melee of hate mail, or rather hate from males. I was harassed on Facebook. I was harassed over email. No one ever harassed me to my face because, God, there's something so...what's the word, oh, EMPOWERING, about attacking people through the thick vat that is the Internet.

I got messages from an idiot named Eric (can't remember his last name) telling me in no uncertain terms that due to my lack of sexual prowess he could "guarantee" that "no guy had ever bought [me] a drink in a bar." Oh, man. Stinger. Like the class-act I've always been I wrote a bunch of trite sassy responses, none of which I actually sent him, instead opting for the high road. I informed him that "I'm a person," and he had offended me. Obviously, it only made sense to thank him for reading my column. The honor to have him as reader. I was so, so blessed with his presence.

But, the most malicious response came in the form of a terribly crafted email written by a University of Iowa football player, Jovon. I only shared his email with a few people, including my boyfriend at the time, Brian, and my two roommates, both named Elizabeth.

Then that was it. I don't think I ever responded to Jovon. He hurt me more than I even knew then. I don't remember the whole email, and I've long since deleted it, hoping that with a quick hit of the button I'd never think about him calling me a "beat ass chicken head," among other things again. But, I do. It's been eight years of randomly remembering Jovon's hateful words. I remember thinking that receiving hate mail was part of what being a journalist was. I remember Brian telling me that Jovon's email was garbage. I remember him telling me he loved me, and he would definitely buy me a drink in a bar. I remember laughing about it with my friends, and I remember crying about it alone.

The Elizabeth's encouraged me to forward the emails to my editor, as did Brian. But, I thought having a brave face, ignoring this incessant gender warring faction, was the way to really prove I was an equal sex. I don't know if I was right to ignore the advice of my peers, opting to "not be a tattle-tale." But I will say now, I wish I spoke up, rather than becoming silenced. What I didn't realize then was that I wasn't just being attacked for being a jokester of a female, I was being attacked for daring to joke about gender inequality, daring to just kid around about women being superior to men, about not wanting to get into the kitchen to make a sandwich, etc. Joking. I don't believe women are superior, nor do I believe men are, but plenty of men do think they are — and even kidding that it could be the other way around was too much for some male counterparts, then and clearly still, now.

Since then I have grown as a comic, as an improviser, as an actor, as a writer. That experience long ago sticks with me, and there have been others since then, too, perhaps not as sticky in my mind, but they are there.

I've made jokes about males. I've made jokes about females. I've delivered stand-up about how people don't say what they want. I've delivered stand-up about my fears that saying what I want will make me look like a weak little girl. I try to tackle the things that matter to me, whether it's through comedy, writing or just regular conversation with friends. And still, I find myself self-censoring because sometimes I am still scared of rocking the boat, of offending, of saying something or doing something that will make someone not just write me mean things or prank call me spewing hate, but really hurt me.

There is nothing worse for a person's soul then to feel like they have to hide who they are because of the fear of what someone could do to them.

I don't want this for my fellow peers, male or female.

Another List of Yesteryear.

Things I've done since October 2013:

1. I traveled to Europe for the first time since college — this time to Ireland with my sister and mom. The three of us had never taken a trip anywhere together, and save for three blow ups* (one each), we had a pretty excellent time. 
• Colleen's was right after landing when my mom picked her up from the airport at 6am and somehow a 20 minute car ride took 3 hours. ("Fuck one way roads."-Mommy Sheila)
• Mine was post getting hammered in Dingle when my mom told me I couldn't get more hammered. I was a woman outside of herself. I've had many a terrible moment, but I think that one takes the cake as far as intent to cause pain.
• Sheila's came when Colleen and I made her ride 33 miles around the Dingle Peninsula. She claimed she couldn't do it and had allegedly not ridden a bike in eight years. Lies. Not a month ago my father made her go for a bike ride around our home town and she claimed again that she hadn't ridden a bike in eight years. What gives, Sheila?
2. I bought my first car: a brand new 2014 black Volkswagon Jetta SE. In the '50s someone my age might be in the market to buy a house or pop out a child. To that I say, this car is my house. She doubles as my baby. Some of you may pipe up, "But, B, what about that sweet ass Pontiac Grand AM you used to cruise around Chicago in?" — well, that was a family car that first belonged to my sister and then eventually bopped around between my younger brothers and me. It was not technically mine, and I am glad for that. My taste is better.
3. I said goodbye to too many of my best friends when I left Chicago. But I did it. I hopped into my new ride and drove from Chicago to Los Angeles in five days stopping at hotels and the houses of friends and family along the way. It was my first cross country road trip without my family, my first time driving further West than Iowa, and my first time doing it with a friend.
4. We drove. We stopped in Iowa City and Des Moines, cruised through Nebraska during the day time, fully experiencing flyover land. Carly almost got a ticket from an eager police officer, and I went through my first corn maze. We went to Denver for the first time. We hiked Red Rocks. We saw dinosaur fossils. We stayed in the Unsinkable Molly Brown's Hotel. We bought trashy swimsuits from H&M and PacSun. We drove up and down a mountain by accident in Boulder, Colorado. We didn't find that waterfall hike we were looking for. We drove through the desert. We took Route 66. We heard the Barenaked Ladies song "Odds Are" 100 times. We drove and hiked through Monument Valley. We drove to the Grand Canyon. We wore our trashy swimsuits in the hot tub at the Grand Canyon Inn we stayed at near the North Rim. We were hungry, and nowhere was open. No pizza delivered, and we split a smushed granola bar for dinner. We hiked. We drove on. We drove through Arizona. We listened to the Maria Bamford special three times on Comedy Central XM radio. We crossed into California blasting the Beach Boys and then that song "California," aka The OC theme song. We unloaded my car. And I moved into my first Los Angeles apartment.
5. Only two weeks later I got my first job at my first interview and worked for a talent agency for the first time — that is until I quit that job because it was terrible. I reflected on the decision to quit with happiness. Quitting that job meant knowing that if I didn't like something I could change it, so I did.
6. During that time at that awful position, my mom came and visited for her birthday. She asked, "What's LA got anyway? Some cement and one palm tree?" I went home for Thanksgiving, then my friend (and now current roommate) Julie Pearson visited, a few days later my friend Mike Kelly visited, and after that I went home for Christmas. Everyone asked me how LA was for what seemed like hours and probably was hours. I answered with "It's great"-s and "I'm so glad I did this to myself"-s. I did it because I both believed it and wanted to believe it. Through gritted teeth and a faux smile sometimes, I said many things I didn't believe at the time, but at the end of the day, I really am glad I made this choice.
7. I decided to finally take voiceover class and now I have this great demo I made with Carroll Kimble Casting. I'm shopping it around.
8. I had my first New Years in LA at a speakeasy called No Vacancy. Aziz Ansari was there, and I felt so cool. Zooey Deschanel was at the after party, and I was drunk. I stepped on her foot, said sorry, and felt less cool.
9. I took my first UCB classes; I took my first Groundlings classes; I took my first workshops; I took a solo sketch writing class. I jumped fully in with all my clothes on. And it felt like sinking sometimes. For me, it's become increasingly evident that I love taking classes, but I haven't finished any programs here because I am so tired of improv class. So, I recently signed up for a Commercial Auditioning class for working actors with Killian Murphy at the request of my agent. Also, I have an agent. Now I consider myself a working actor.
10. I've been part of three short films since moving. I've been in a handful of sketch videos. I've done a slew of improv shows and handful of sketch shows.
11. I tried stand up for the first time, and I loved it. I need to do it more because it makes me think of the world differently.
12. I made an independent improv team with friends that I knew peripherally and now consider best. We pretend that we want to write a play together, and hopefully we will some day. Our name is Windy City Gyros, so called named after that delicious gyro restaurant in Chicago on Broadway. I once dropped off Anthony Oberbeck there after a (long pause) rehearsal instead of at his house. I remember thinking that of anyone I knew, I could certainly imagine him actually living in the basement of Windy City Gyros. I hate the name of our team, but I love us. 
13. I worked as PA on the set of "Whose Line Is It Anyway?" I had the best time, running around for 14 hours in a row, checking on things, getting stuff, gophering essentially. For a busy body like me, it was the best. Like camp, but you got paid. It was there I met my friend Tori who became my second LA roommate.
14. I wrote a two-person sketch show with David Blum in two (or was it three?) weeks called "Faithful: Relationships, Schmelationships" performed at the LA Comedy Festival. We had fun, and I love(d) writing with Blum.
15. My family took a trip to Puerto Vallarta, Mexico, and I got some of my favorite stand-up material out of it. For the first time in a decade we all vacationed together in the same spot. For eight people to somehow manage that was a trip in more than one way.
16. My dad came and visited Col, Kev and I, then we went to Santa Barbara. We rode bikes along the ocean path, went to the zoo, had a fancy dinner after my dad schmoozed the hostess into seating us, tasted so many different kinds of wine, and had a really lovely time. My dad watched me do stand up about him, and he laughed.
17. My friend Joe Underbakke came to visit and his itinerary showed me all the reasons why I love living here. Mike came to visit again, and we went to our first Dodgers game! I proceeded to go to three more baseball games this year, none of which were White Sox games, which was sad, but in the end just fine. (Angels with Blum, Dodgers again with my indie team, and a Rangers game when I went to Dallas to visit my brother, Sean.)
18. I went to visit my brother Sean in Dallas when he was working there on a contract job. It was the first time I ever spent more than a few hours one-on-one with Sean. We went to the Stock Yards, I sat on a bull, we got barbecue, he took me to his favorite breakfast spot: The Waffle House, we stayed at the Hilton one night, he took me to the Rangers game, picked me up and dropped me off at the airport, and we didn't fight once.
19. My friend Nancy and her daughter came to visit too, and I played hostess, showing them all the reasons I live here. My friend Carmen Christopher came, and I showed him reasons I love it here. My friend Cynthia Bangert came, and I showed her reasons she should move here. My mom and little brother Timmy came, and I unsuccessfully showed them why I love it here. 
20. I had an existential crisis for four weeks after my birthday through Independence Day. I wrote a lot. I was very unhappy, very aware of my loneliness despite surrounding myself with people, like a shell of myself. My comedy was really funny (and I don't even care if that sounds conceited), because I was really sad. It was the only thing that made me feel good.
21. It was then I wrote my first solo show: "Heart/s," which I performed in both LA and Chicago at three different theaters. So many of my friends came, so many regular audience members came, and I was so overjoyed at the outcome and their reactions. It was nothing short of heartwarmingly unreal. I'll be performing it again soon this November at Second City Hollywood, as part of a double bill with my solid friend, Rich Baker, performing his solo show, "Let's Break Up." 
22. I dated people. Now, I date one person, John, and I am so happy about that (mostly because his Pittsburgh accent provides unending opportunities for me to do spot-on impressions of him).
23. I went home to Chicago for my cousin Colleen's wedding at the end of August, and it was a much needed respite. I bought my first black tie gown for the wedding. I performed "Heart/s" at my favorite theater in Chicago, The Playground Theater. I started the show late because my dad was late, and I didn't want him to miss it. At the end he said he would have watched 15 more minutes. I smiled. I dressed up in an all gold jumpsuit and did a fun music video lip-sync to Run DMC's "Tricky" with my dear friends Emma Mullens and Jeremy Pautz. I went to Michigan to my parents cabin with one of my closest friends, Joe Underbakke, along with my mom, sister and dad. We had the sort of vacation you have when you're nine, and I was the happiest girl. I saw the new iO and the new Annoyance, and I saw how many of my friends have decided to move out of Chicago, and I saw all the ones who have decided to stay. I cleared out my childhood bedroom of everything I didn't want. I saved all of my journals, short stories, essays and plays. I found the first play I'd ever written, "It's Complicated."
24. I became part of my first iO West Harold team, Steel Shark. They are all excellent and hilarious players. It's exciting to be part of a group of people that are not just fun and talented, but are real friends. At the risk of sounding weird, I want to say this, I value them an insane amount.
25. After the success of "Heart/s" I was confident in my solo material, and so was my friend Joel Axelrod, so he booked me for the top slot of his new show at iO "Risky Business." I performed "All That Glitters," a collection of characters who all wear that gold jumpsuit from my Run DMC days. A slew of friends came. My sister Colleen and I got dinner beforehand, she watched the show, and so did John. I was nervous because, well, nerves, but it was so fun. John and I got "Good Job, Brigid" milkshakes at Mel's afterward. 
26. I joined a gym, vomited up half a bagel with cream cheese and a handful of blueberries onto one of the personal trainer's desks after pushing myself past my brink, and then somehow signed up for 7 training sessions, which have inexplicably been morphed into a recurring monthly fee. You could say I've lived to regret joining a gym. However, I've beat the system and figured out a way to get out of my (hahaha) not-so-ironclad personal training contract. I maintain I was under the influence of vomitsanity so cannot be held accountable for any of my choices. I don't know how I got home.
27. I started a new job that came in the nick of time — before the fear of being a poor starving artist became a reality, but not before I thought "Shit, I'm going to be a poor starving artist. I'm not going to be able to afford anymore shoes." I enjoy the job for now, and I'm thankful that I have one. It provides me with the chance to meet people in the industry, watch Q-and-A's with actors like Billy Bob Thornton(!), and the flexibility to go on an audition when called, plus I get to keep living in LA. Sure, I'm sitting a lot (see last blog), but it's a fair trade for now.
28. I celebrated a year of living here, and at no point did I feel like I made a bad decision in coming here. To commemorate my year, I took myself to my favorite coffee shop, Bricks and Scones, vented to my roommate about my job (I'm still a millennial artist lady, after all), and then cooked dinner and watched Tommy Boy with John.

the past/ sitting/ and the future.

You can light the fire that's in your head

Put it off, tomorrow will come instead

We don't watch the tower that tells us when

Pull the wicked flower out from its bed.

The Dodos, "Walking"

This time last year I was passing through Arizona, crossing the border into California, and eventually rolling up into Los Angeles onto Russell Avenue. A new apartment in my continued life, a new part.

One of the most generous, caring and scattered people I've ever met and loved forever, Carly Mandell, was in tow. And sweet, thoughtful, generous and gentle, Alli Arnold, was waiting with fresh homemade cookies and beers. Everything I saved from my old life was with me, ready to be part of what my parents called my "new adventure." (I originally thought that was a rather condescending sentiment, but then again, when my sister Colleen moved out here in 2008, my parents referred to Los Angeles as "Camp Hollywood" for two years.)

Three-hundred-sixty-five days isn't that many days (even if spelling it out makes it seem the opposite), and the longer I am here, the more I realize that truth. It's so funny. The first question new people ask of you tends to be, "How long have you been here?" or some derivative, and after about three months, I literally became old news; that felt so good. It feels good to be considered part of this insanely transient city where people are like migrating birds, telling themselves: "I'll give it a month," "I'll give it a year," "I'm just testing out the waters," "I'm going to see what I'm made of," etc.

But then you meet the people that are here for decades, that grew up here, that have no intention of leaving — and you're a baby to them, this one-year-old baby with chubby cheeks, a can-do attitude, and more blind faith in their talent than maybe even armed with talent. But as Steve Martin says in his book Born Standing Up, "Persistence is a great substitute for talent."

In some ways I thought moving here would change everything, but it didn't. It didn't change my drive — it encouraged it. It didn't change my energy — it grew it. It didn't change my goals — it clarified them. Making this move has made my life more pointed. I know where I want to go, and all of my choices (I hope) are evidence of that, down to the variety of jobs I've held since landing in La-La-Land.

Even now, after months of go-go-go, for the last four weeks I have spent an unusual amount of time sitting down — first in my car — then in a chair — that's in my office. So much sitting at this new job, a short term gig that will take up my days until the end of the year. It's too much sitting for me. I don't know how so many people do jobs like this for their whole lives. The only logical reason that one could do this much sitting is because it's what you have to do in order to keep living in Los Angeles because living is expensive and when you're not at this job you're trying to be a paid actor. (Run on sentence to illustrate my psychotic ability to do a million things, however frantically/poorly.)

I am so thankful that I know this won't be how I spend my life in the long run. I am so thankful that I am not content to bounce around from day-job to day-job without the hope that my persistence, talent, comedic sensibility, look, and all these things a million people have, but that I somehow illogically think will make me different — will actually make me different.

And it's fine. It's fine that this is what you have to do. People don't talk about the grind they had before they did what they want to be doing. It's the first chapter to the rest of your life. So right now, yes, it seems that most of my life is going from one sitting job to the next job I sit at, but fortunately for me, there's a smattering of film projects, sketch shows, improv performances and auditions in between. I am so thankful.

But seriously — I cannot believe how much sitting I do. (My next post will be a break down of the amount of sitting I do, if you're curious.)

So here's to being here for another year, and all the years after that.

On Writing When You're Not Sad.

It's a frustrating thing to be happy — and it seems to infect most people. There's this inkling feeling that it won't last. It's painted best in Robert Frost's poem,  "Nothing Gold Can Stay."

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

My best writing, or at least, the writing that I connect to most emotionally I write when I'm so sad. That's an interesting concept, too, that in my mind, best equals emotional. When I have too many feelings welling up inside me I can't help but emit them through writing, through performing, through singing. I cannot help myself. Perhaps it's the notion of something good must come from this pain; I have to create something beautiful, something real, something heartfelt to make this moment have more meaning than just wallowing alone in my: "I am hurt. It hurts. It will pass."

But, why, why can't the same be said when I'm happy? Why is it harder for me to express my joy creatively? Is it the distraction of how happy I am, I don't want to reflect on it for fear that it will dissipate before me? There are too many questions.

Periodically I look back on this blog so I can see who I am or was throughout the years. I have often noticed the amount of writing I did or didn't do during years of hardship and during times of happiness. I can so directly see the correlation between my writing and my relationships. At the start of 2010 I wrote a lot. Not coincidentally, my longest relationship ended. And, then the Fall of 2010 happened, my writing slowed to a trickle — I was in a new relationship. Flash to 2012, I wrote a ton again. That was a hugely difficult year full of car accidents, breakups, job transitioning — the gambit. And then again my writing picked up as I picked up and moved to LA. Spring of 2014 happened and again, a flood. It's frustrating to know how much my writing is a reflection of my emotional state. I love what I write when I am sad. I don't love being sad, though; and I don't want to manufacture emotion. I can't anyway. I've tried.

But even right now, as my life is on an upswing, I am all smiles, yet full of lackluster uninspired stories. I have people in my life I'm excited to see, and that are excited to see me. I have parents that love me, that call me unexpectedly, that fly across the country to spend time with me. I have siblings that are kind, that go out of their way. And while it's not as if we don't carry our baggage or throw one another under the bus on occasion, those moments pale in comparison to how my throat chokes up when I think of what my life would be like if they didn't love me like they do.

So, here I am, waiting for it all to fall apart so I can write a heartfelt blog post, script, poem, song, etc.

NO!

That Frost poem always left me feeling so negative. Now though, I'm attempting to grasp how, yes, things fade, but other things take their place. When a flower blooms and dies, in a few weeks or days, or whatever, time happens, and a new bloom takes its place. Life will always be up and down.

That's comforting.

But God, is it tiring to have all those feelings and be writing and emitting so much. It has to stop. There has to be respite from it. So many writers (comedians, screenwriters, novelists, etc) get their material from things they're pissed about, things that have hurt them, or how they have been wronged. It can soften the blow, or cause you to relive it. You just have to know from where it's coming and to where it's leading you. And sometimes, just sometimes it's better to look at the world without a critical eye.

It's too taxing on your soul otherwise.

somebody different

“Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.”  -The History of Love, Nicole Krauss

Sometimes I remember that before I was who I am now, I was someone different.

At the end of the day, we are a sum of our parts; when I look at myself in the mirror, I see a collection of my own choices, adventures and failures. This might sound weird, but I'm sure we all do it, so whatever, I'm over it — I have many times stood in front of my mirror totally naked. I know, get over it, get over all the junior high oh-la-las, and just listen to me for a moment. I do this because I am in a way taking stock of myself, and just me. Not me in a cute J.Crew skirt, not me in a bikini, not me in a bridesmaid dress, not me in anything. Just. Me.

There's something about standing in front of the mirror and realizing that at the heart from the outside, this is all I am — a petite body, with pale skin, a nice smile, and long curly red hair.

I remember right after my bike accident, I was very concerned with the way my body looked. I didn't have scars, just tons and tons of broken blood vessels, scrapes, bruising, a herniated shin muscle and chronic pain from a broken non-displaced pelvis. Every couple of days I would get up from my bed, taking a break from the show that kept me company for weeks, Keeping Up with the Kardashians (another blog for another day), and I would get undressed to take a shower. I remember at first being so scared that I would fall, but only once did I ask someone to wait outside to make sure they didn't hear the crash of me slipping and breaking myself again. I still don't really know why asking for help is something I only ask for when absolutely necessary. But, alas, I had to shower, if only to keep up some semblance of dignity.

Before I would make the slow climb into the tub, I would stand in front of my mirror, balancing on my crutches, figuring out a way to slip off my sweatpants without falling. And, I would stare at myself, at the imperfections that had become me.

There's something about nakedness that polarizes how you value yourself. What are clothes, but another thing to hide behind, to help identify ourselves as someone we want the world to see us as? While nakedness is just another way to be vulnerable, even if it's only yourself who sees.

At the risk of jumping onto a high horse and screaming "Clothes are for the weak!" which very well may be true, I think it's important to take stock of ourselves. People say you come out of the world as you came in, naked — but how many people do you know who have been buried in the nude? We go to our final resting place, dressed how the world wanted us to be.

There's a book I truly adore called, The History of Love, that I quote at the beginning and end of this post. The title makes it sound like a much mushier and false account of what it actually is. At the start of the book the main character, an old man, Leo Gursky, in his early 80s decides to throw caution to the wind and be a model in an art class. Before he goes to the class he disrobes in the comfort of his own apartment to assess who he is without any sort of wrapping paper. And it is not an Adonis he describes...it's just who he is, an elderly man with loose skin, sun spots, white curly hairs everywhere, and lumpy bits covering a weak frame. I love this description. I love that it is unapologetic.

It's strange to realize that the body you have seen naked the most times is your own. Yet, every time you see it, it is different, changing as you change, aging as you age. I suppose this post is more of a reminder to myself, if nothing else, that beneath everything, we're all just people.

“At the end, all that's left of you are your possessions. Perhaps that's why I've never been able to throw anything away. Perhaps that's why I hoarded the world: with the hope that when I died, the sum total of my things would suggest a life larger than the one I lived.” -The  History of Love, Nicole Krauss

my mom: "The Truth Hurts"

The backseat of my mom's old car smelled like sour milk and soccer cleats for the better part of a decade. Ah, the mighty Ox. That's what we called her giant black suburban. The license plate was OX-48800. It's not like we had to reach very far for what became a classic nickname. That's the car my siblings and I all learned how to drive with — from learning to parallel park or how to get out of a fish tail situation on an icy morning, to getting in our first fender benders or breaking both the front and back windshields.

I'm thinking of her car now because I'm thinking about her. I'm thinking about her whole life, her life before me, before Larry, before Colleen, before Sean, before Timmy and before Kevin. I'm thinking of her before my dad, before she was a wife and a mother, before she was a nurse, when she was just a young woman, lost, like I am now. I wrote my first solo show, "Heart/s," last week and performed it Sunday night, and honestly, I could not have done it without her; she is such an integral part of me. And for those who saw the show, and for those that will come August 29th in Chicago, you can and will see how much so.

We talked on the phone the other week. It was during my lunch break from a gig I had at a production company in Santa Monica. I was driving to find a Mexican restaurant nearby the office. I'm shocked by the lack of solid burrito spots in Los Angeles. In Chicago there's a burrito restaurant on every damn corner, and they are all the best. Taco Burrito on Lincoln and Diversey, aka Los Tres Ponchos, is really the best, but they are all very good. Garcia's in Lincoln Square? Yeah, also the best. I mean, I could go on, but I have to stop. El Burrito, under the Addison redline? So good. Ok. I'm stopping. Not El Jardin. I'm not a fan of that spot (also in Wrigley — though I will say they do have a pretty stellar margarita).

Anyway, I called my little momsicle to talk because I miss her. I miss her all the time because I love her. Sometimes I feel like I don't know her though. I think a lot of people feel this about their parents. Last night in my Groundlings class one of my classmates did a character based on his father, and when asked what his father's point of view on life was, the student was in some ways at a loss. And when I reflected on how I might do Mary Sheila Marshall as a character (and she is a total character), I don't quite know what her point of view on life is either. If I had to say anything it would be, "Life is hard, things are hard, get over it because complaining doesn't make things better." A painful aphorism of hers is, "The truth hurts," which is a hard thing to hear when you just want an empathetic ear and someone to stroke your hair while not saying anything at all.

Whenever I ask her about her life she is vague, focuses on whatever she is doing at that moment and gives me a little rundown of what her plans are for that day. It's frustrating. It's frustrating to try and get to know someone I've known for almost three decades. She's shocked whenever I tell her I feel like I don't know her very well. I know her, her inclinations, the inflection of her voice, her catch phrases. I know her face, the roughness of her incredibly strong hands, the smoothness of her cheeks. I know what she looks like when she's just woken up, what she looks like when she's already sleeping, and when she's going from being happy to being sad. I know her — but so much of her is her history, so much of her is the past that makes up her present.

Can we ever know other people, truly? It's a widely believed notion that we can only be close to six people at a time. That makes sense. I only have six people in my car speed dial. Most family phone plans are limited to six. The big table at restaurants typically maxes at six, and then you have to add additional tables. As Marshall children, we know what it is to wait for the big table at any given restaurant, read: The Silo in Lake Bluff, Illinois, a Marshall family hot spot from 1990-2000.

There's something about that not being able to be close to many people — it's hard to spread the love to more than a select few. And I suppose, with six kids, a husband, parents, nine siblings of her own, and a slew of friends and acquaintances, Sheila Marshall has become an expert in loving others. She might be all over the place, but it's only because she wants to be everywhere at once, sharing in the lives of the people around her, and letting them know she does care deeply. She really does.

I hope to be more like her...minus her adages and the reality check no one asked for. (But, I suppose I've already inherited those things about her too.)

I carry them with me.

head first
drenched in it
soaked
every inch
sticky clothes stick to a sticky body
in the water
it all feels the same everywhere, and it feels — how it feels...it feels so much, so much all at once, and it is so nice. so nice. so nice —
but it's heavier
heavier not knowing how to navigate

completely and utterly
taken in
taken down

fully clothed
sinking further from the weight
water pressuring every cavity
the air bubbles disappearing
a flight of fancy
fancy
how fancy?

out
out out
the chill of the cool wind
icing from the outside in
the outside in
cool
how cool?
like ice it stabs

you can only jump in head first once,
because you know how it feels to come out
you know the cool
how cool?
not cool at all — cold. like ice. stabbing ice.

wading in.
it's the same thing but different
the water is different
holding your breath from the cold of the water anyway
it feels good, but bad. does the good outweigh the bad?
weight
the weight of the water
clothes drenched
saturated
enveloped

you know the density, the pressure, the weight of the water, and you can't handle it more than once. it feels like drowning, because it's drowning. and you need a life preserver — something to help you preserve your life, someone.

but preserving life as it is,
would you really like to preserve it?

cold. ice.
it stabs.
wind.
water.
drowning.
the weight. the weight.
the waters weight.
it weighs so much.
the pressure.

Preludes and Post Scripts

"I am moved by fancies that are curled 

Around these images, and cling:  

The notion of some infinitely gentle 

Infinitely suffering thing." 

-T.S. Eliot, Preludes

I regularly find myself remembering snippets of poetry that I had memorized due to my high school pastime, Forensics (also known as Speech Team). If you've read back to old entries I talk of my love of T.S. Eliot often, specifically The Love Song of J. Alfred Prufrock, which to me, sums up the tone of loneliness absolutely.

People say that those who surround themselves with people the most are typically the loneliest. They're trying to fill that void. I feel as if I am that way. It's easy to get lost in others as an escape from ourselves. I've been trying to get away from doing this — but instead of feeling like I know myself better, I find that it's daunting to realize I may not know myself as well as I assumed. It's strange to spend all day every day being myself without thinking about it, and then with others I am someone else, a hologram. I am there, but not present.

To be in the latter half of my 20s and finding these findings seems so old. I know, I know, "You're not old!" But I'm not young, either. I'm not like a spritely young graduate. I'm not a bourgeoning teenager. I'm not a child. I'm not a young adult. I'm not an old adult.

We call people in their twenties, 20-somethings. We can't even come up with a real name for it. I'm a 20-something. What that something is, no idea.

I am a person chasing after it — what is "it?" There is no label. I could say I'm chasing after a career in the arts. I'm chasing after a dream to be a creator. I could say—. I could say it all — but what is it that we want in the end? When people die are they shouting from their insides, "I wish I had written just one more play!" "I wish I had just finished putting the shutters on the house I wanted to flip." "I wish this," and "I wanted that."

Doubtful that it is things or a to-do list accomplished. A bucket list, sure, yes, we want to do things, but to what end, who for or who with?

What turned out to be the preview to when my grandpa Harry died, when he thought it was the moment to go, that is, his 10 children and numerous grandchildren, his wife, were all surrounding him. Father Trout was there to anoint him with last rights. He asked my grandma Celeste to sing Danny Boy for him. It was very climactic, truthfully told. And we kept waiting for him to close his eyes the last time, breathe his last breath, say one last thing. But it didn't happen that way. The doctor came in after what seemed like only a few minutes, but was in actuality much longer, and said Harry was not yet going anywhere.

It was the strangest thing. We all had collectively decided this was the time, and then it wasn't. But, I got to see what my grandpa Harry wanted to be like in his last moments. He was lucid until the very end. And in some ways, he got to be there for his last moments twice, instead of just wasting away sedated. That seemed like such a gift to me.

Surrounded by the people who make us who we are — I suppose that's what I want.

"Those who sharpen the tooth of the dog, meaning
Death 

Those who glitter with the glory of the hummingbird, meaning
Death

Those who sit in the sty of contentment, meaning
Death 

Those who suffer the ecstasy of the animals, meaning
Death 

Are become unsubstantial, reduced by a wind, 

A breath of pine, and the woodsong fog 

By this grace dissolved in a place" 

-T.S. Eliot, Marina

A "goodbye to my old life" list.

A few years ago I made a huge list of all the things I had accomplished in my first year after graduating college. Today I went through my "pieces of paper with notes, bits and bots written on them." I have a lot of these. They're on scraps of paper. They're on receipts. They're ripped out from notebooks. They are a collection of the things I deemed important at some point in the last year or so.

I found one particular piece of paper that's a to-do list of things I had to get done before moving to LA. It's the longest list. I made it during a meeting at work. I remember thinking "I don't have anything to add, and also this meeting isn't pertinent to me anymore, but I guess I'll stay."

To Do:

• iPhone (Sepho) - I see where my priorities were. I don't know what Sepho means
• MacBook Pro - I ended up waiting to purchase one of these until about two months ago.
• Final Draft - Still haven't gotten it, but my brother, Kevin, gave me a copy of MovieMagic which has been really a great system.
• Boxes - I'm assuming at this point I thought I was going to rent a Uhaul and have everything perfectly packed into 3x3x3 boxes on boxes on boxes. I didn't end up doing that and most of my furniture is at my old apartment with my old life and my best friend to keep it company.
• Shin compression - For those of you who don't know, when I was hit by a car, the woman who nailed me hit my shin pretty hard too and tore the fascia, which is essentially the casing around all of our muscles beneath our skin. When it tears, the muscle becomes herniated, so I have a slight bump. I am self-conscious.
• 5 video sketches - These did not happen, but that's ok. I did a lot of other writing.
• Invent America - This is one of those sketches. My friend Erin moved away onto a boat for a while so we ended up never doing it, but it would've been cool, and we still can at some point.
• Apartment sublet - This I did. No thanks to my nut landlord (SUSAN, the hateful) who every single time I talked to her made me cry or made me yell — either way, I was a teary mucus-y mess. Some people are just volatile. I've never dealt with a worse person.
• Sell bed - I did this too! My cousin and close confidante Kathleen got this bad girl. 
• I ended up giving mostly everything else away or leaving it for the perfect Cynthia Bangert (desk, chair, couch, rug, kitchen chairs)
• Mail art - This was a stupid idea. I just wrapped it in blankets and put it in my car. It took up a lot of space, but it was worth it.
• Pack stuff for Kev and Col (my siblings) to take. Neither of them took anything back to LA for me because they said they didn't want to wait for baggage claim. True story. It's fine, but at the time, I was like, "Really? Whatever."
• Talk to MA (that is my Chicago agent that, while very kind, was not very good)
• SketchTest - I did this. It's a great show in Chicago where you can essentially put up ideas, thoughts, semi-finished sketches and see how they work in front of people on a stage)
• Ireland - Sept 25-Oct 6 - This was the best trip. I am so glad my mom, sister and I could do this together.
• Shower for Quinns - My cousin Brian got married, and my mom wanted me to help her throw the shower. I did. And it was nice. My cousin Colleen is getting married later this summer and my mom wanted me to come home to help throw the shower again. I'm not, but it would've been nice. I think I have to stay in LA without going anywhere for a while. I am going home at the end of August though for the wedding. It will be good.
• Michigan? - I'm really sad I didn't make time to go to Michigan last summer. I haven't been in so long, and it's really one of my favorite places. 
• Call David B - David Balkan is one of the best people I think I know, or that's out there in the world, period. I feel very lucky to have a mentor and friend in him.
• Call Kevin - Kevin is my baby brother who I love so much. It would have been next to impossible for me to feel as comfortable as I have been able to be in LA without him and Colleen, our sister.
• Call Col - Colleen and I are really lucky to have one another. Sometimes we don't tell each other what's going on in our lives, and I hate that. I hate not knowing how she is doing and that's become less and less of how our relationship is. I'm glad she's my neighbor. And I'm glad she cares about me. I get scared when I think about how we're all getting older and it makes my heart stop when I think about a world where one of us won't be there and the other will.
• Call Alli - Alli was my first Chicago roommate. She was my first LA roommate. She moved back to NYC, and I completely understand why, but I miss her, and I took our friendship for granted when we lived together. I'm really sorry about that.
• Car insurance for Pat Anderson - had to get it, also had to get a car. I really like my car. Pat Anderson is my lawyer. Or was. I am finally done with dealing with insurance claims and medical bills and the general stress that living after a really scary accident brings up. It's been 2 years. Things are ok.
• Credit cards - I don't know what this means. I think I was concerned about my credit score because of all the medical bills. But we're good here.
• Contact Bank of America - Ugh, the worst bank. I canceled all my things with them. A weight was lifted.
• PG Sched Sept, Oct, Nov. - I used to schedule the PG shows and for whatever reason was always stressed about it. I think I just took on too much because I didnt want to deal with things in my life, so I was just busy all the time. For those that are very close to me, thanks for seeing beyond this crazy person exterior.
• Meeting with Thomas about doing calendar - Thomas Einstein is a very good friend to me. He took over the scheduling with Jake Miller, and they've both been amazing. I talked to both of them at length last week and feel very lucky that despite being very far apart, we are close.
• Long Pause - My sketch group. I am forever thankful for the day Chris Bragg came into the Annoyance while I was interning and invited me to be part of my favorite group in Chicago. Thank you.
• Chris Gaines - One of the craziest shows and most fun casts. It was just a fun idea that Greg Ott dreamed up. He's a really good writer, and I like him a lot. I felt, I don't know, just lucky, I guess, that he invited me into the show. I only wish Bryan Duff had stayed in the show. That idiot.
• Goodbye Party 10/12? Honestly, this was a weird night. I said goodbye to those I love.
• Denver (Aug 19, Sept 1, Sept 9, Sept 30) - My iO improv team's final shows. So fun. Great group. Miss it. Love it.
• Annoyance Party - August 25 - I don't think I went to this. No, I did. This was the party right before they closed the old space. Now they just opened the new space. And, I so look forward to seeing it when I'm home later this summer.
• Brian Q wedding 10/11 - That wedding was a good time.
• Alinea - I took myself out to a fancy as hell 10 course dinner with my friend David Blum, Jessica Maciejeski and her lovely boyfriend Blake. I don't know how to spell Jessica's last name, and she goes by "The Treat" on facebook, so I will never know.
• Commercial and online? - What does this mean?
• Sept 5 - massage? - My old boss and friend, Casey bought me a massage for my birthday because he is the kindest.
• NYC (?) when? - This did not happen. It couldn't have. There is no time.
• CTA - I still have $100 in CTA money that I guess I can still use despite that new thing they have that begins with a V. I don't know. Vesta? No. I don't know. I could google it, but this is more fun.

So, this is my list. It was so full. Everything happened so fast, too fast. And, there still wasn't enough time. Carly and I left Chicago together on October 15th at 4pm. I know. I had to stop at the dealership in the morning. My mom came with me in a different car. When we pulled away from each other, she turned right and I turned left, and we held up traffic for a long time at the intersection of Route 41 Skokie Highway and Park in Highland Park. We were looking at each other from our separate cars, going into our separate lives, waving at each other and crying. It was really hard. Her face.

I write in coffee shops so I don't cry when I write, but I'm crying right now at Coffee+Food on Melrose. Well, I'm tearing up because I can't be that girl. I can't be the girl who openly weeps at Coffee+Food on Melrose. 

Carly was a champ. A real champ. I am so glad she was my transition friend. She is light. She is joy filled. She is what it means to be excited. And she's not a terrible driver, despite that police officer in Nebraska who wanted to give her a ticket, but then didn't because we are so cute. I'm not a great driver. I'm not a bad driver. I just want to go fast...like Ricky Bobby. Ha. Anyway. We had a goodbye coffee at Asado with Joe and Cynthia the day or so before: our quartet. We all cried. Even Joe. I want to remember what he said, "Oh, we're doin' this?" I think was along the lines.

When I went to get Carly on the actual day, she was so funny. She had a purple backpack for the week.  For anyone that has ever seen her in the world ever, you know the bag I'm talking about. Girl does not leave home without it. And she also had an orange creamsicle colored towel that we ended up using to clean off dirt from my car because I thought it was stupid to get a carwash while on a road trip, even though we legit could not see anything at one point. I mean, it is stupid, though, a carwash on a road trip, please. I kept that towel.

With every mile I got further from Chicago and closer to LA. Obviously. But it was weird. It was the slowest motion. My life changed, and I was witnessing the change. I was the one driving. I was the one making it happen. I was doing this to myself. I don't know how to describe it. It was like my heart kept falling when I would look at the mile markers or the "Welcome to" whatever state signs. This thing that I had dreamt of doing for years was finally happening. I was doing it. And I remembered why it was so hard and why it took me so long to do it — because of people. I knew how much I would miss my people.

I'm still shocked by how much I miss people. I don't know if it's shock, but I think it's a little that I did not know the depths of some of my relationships until I wasn't there in them, living them anymore. Even as I fill my time with work, with new friends, with new experiences, new shows, new improv teams, new everything, it's hard. 

I already had a whole life in Chicago. I didn't realize how deep my investment was there. And, I cashed it all in for something new. That's exciting, but it's scary. Los Angeles is the first place I've ever moved where I have no intention of going back to my old life. This is it for me.

I can't come up with a title that doesn't sound trite. Perhaps, Living Real.

Lately I've been listening to probably too much music, and I'm at that annoying point where every time I hear a song, I think, "Oh, my God, that is so my life." I am fourteen again. Woo. The Head and the Heart's "Lost in My Mind" flipped onto Pandora at that moment. So, you know what I mean despite the lameness, yeah? In other news, it turns out Katy Perry and I could be best friends because we both have personal whoas. Shoot me if I ever sound this stupid again. I actually hate that I'm writing all this forward intro crap.

ANYWAY. It's been kind of a whirlwind of a week since my last post, which is mostly good. The kind of stress that goes into being honest is unexpected, but it's freeing. I'm sort of done talking about what it means to be real, though. Not that I will cut someone off if I find myself in conversation about it again. I could talk about it forever. It's just, it takes a lot to stop pretending. I am so used to wearing a shield that I sort of don't know what to do with myself right now. Sorry if that sounds real asshole-y, "I'm sort of done," ugh, it's just, what I mean is I want to start actually living more real — not just writing real.

Like, I need to talk things out so that I can know if I'm on the right page with the people in my life. I sort of feel like if I'm not talking to someone regularly it's as if they don't want to know me. No one is a mindreader unless they're a mindreader. That's something I wrote in my last post, not the mindreader part, but the feeling of thinking people don't want to know me. I'm at this point where I can't tell if I should take another step out and tell people I want them in my life, or if it is better to just move on. Who knows if they feel the same way? Oh, the sheer amounts of opportunities missed due to personal gridlock. It's weird. It's so weird.

Actually, something weird happened the other day. I don't normally do stand-up a ton, but it's something that I'm weaving into my life intermittently. It turns out I like to stand up in front of people and open my worldview to them. (We're all shocked.) It's a special kind of rush...knowing you might just blow, and you don't have anyone to blame it on, except maybe high ceilings that swallow laughter. I like to say doing stand-up is like having a conversation where you can't be interrupted, and if you are, you get to go off on that audience member, and everyone is like, "Yeah, lady, you tell them!" That hasn't happened to me much, which I appreciate, though I would sort of love to yell uninhibited sometimes.

Normally I just talk about how much I love my family and maybe tell a story about us all being insane together...things I'm comfortable talking about. A lot of stand-ups find things to gripe about and because it's a shared experience, audiences laugh. They laugh from recognition. That's a very cool kind of laughter, but I love laughs from surprise. What I mean by surprise laughter, is they didn't expect to hear what they heard, but they recognize it still, the laughter of admittance that they understand. I love to surprise myself most of all, probably because I'm a narcissist. (I'm not really a narcissist, and I don't think I actually know any true narcissists in the way that Narcissus, that Greek god, was.)

Anyway, I did a whole set based on honesty, relationships and being real. The first line of the set I got dead silence (which is what I was seriously hoping for, chill out), and then it got laughter because it stopped people in their own brains. It's very uncommon for a comedian, let alone a female comedienne to open with, "Hi, I want to be married." Cats out of the bag! Surprise! I want a lot of things, and this is one of them.

It was so amazing, guys. The fear, anxiety and silence that took over the audience (mostly single male stand-ups) opened the door to the rest of the set: being honest about our hopes for ourselves and the people in our lives — people want to talk about it, apparently, as many of the other comics ended up referencing my set in theirs. It's not as if I want to get married to just anyone anywhere anytime, and not today by any means. But it's real. It's a part of who I am, and I explained why.

There's an unwritten rule in Hollywood that you can't say you want to be an actor on a sitcom, or you want your own HBO stand-up special, or you want to write the next big Blockbuster, what have you. But, clearly if you've made it as far as Los Angeles, those are things that you likely want, and saying you want them makes them more real. It opens you up to others. How are they supposed to know who you are and what you want, if you don't tell anyone?

So, I said it. And I kept up this new trend in my life of being truthful, and it felt fucking good. There's that old ditty, "Truth in comedy," to which I say, "There is comedy in the truth." It has less of a ring, but I think it's clearer. What I think the first means is make your comedy truthful, whereas the latter means, tell the truth, and it will be funny. The difference is slight. It has to do with where you start.

All those things I said before, those are my dreams. And we don't tell what our dreams are because if we tell other people then they know if we didn't get what our dream was. As for wanting to be married, especially as a new-to-LA actress, that's just something you don't say. You don't say a lot of things, life is all about the things that you do not say to one another. There's embarrassment that comes from voicing this particular desire. I would say that the number one thing you don't say as a woman in your twenties or thirties is, "I want to be married." Not everyone wants to be, but I would say most people at least want the comfort of a serious relationship. I'm not going to qualify this much anymore, because I don't think it should have to be, other than to say, marriage is a really great thing if it's between two people who really want to be married. It's being with the person who has your back, is excited to see you, and who you have the freedom to totally be yourself with all of the time — and vice versa, that's important.

Of course, we aren't going to always be 100 percent ourselves with someone else until we're ok with ourselves alone, but that's the goal. You can't be yourself with someone else until you're yourself by yourself. Did you get all that? I had to read it aloud a few times. And that's why relationships should be treasured, given time to grow and fostered with connection.

this is not a poem, this is the most real thing i have written to a group of people who might read this and i am very scared.

This is coming from a place of honesty. I haven't written as myself in more than six months (i.e. my entire time since moving to Los Angeles thus far), choosing purposefully to write through the narrative voices of made up characters in made up settings with made up scenarios — or poems, so many poems. Often these stories and characters are versions of me, or the people in my life, as is the case with many writers, so it felt like I was still able to express what I thought, experienced and have been feeling. But as I continue to think about it more, I know that this has very much been a response to me not wanting to be really open about my fears, my future, my everything. It's my own little "arm's distance away." And because I love telling stories and creating worlds, and I'm good at it, I didn't know the level of self-destruction I have begun to take on.

There's that term, "take up your arms" when referring to battle. Every day to me feels like a battle, and I am so alone. I am fighting off those I am closest to every single day, and I am seriously fighting off those who could potentially want to be close to me. I'm doing this, and it is sabotage.

I don't want to share.

And, I don't want to do it because I am afraid. I am afraid that the things that make me who I am won't be good enough in the eyes of the people around me: close, far, unknown, known, doesn't matter. This is not ok. And, it's something I didn't know was a real problem until very recently, even though it has been boiling since September 2012, if we're being real, and I am. If we're really being real, then I would say it goes back further, but 2012 was the hardest year of my life. I feel like I'm not conveying the real gravity and impact of this period of my life or that it won't seem like that big a deal, but it really was. I am scared that you won't think it was as awful as I do.

In very short, because I am scared, awful things happened, and then I was fake-ok for a time. Performing was good, and I was insanely productive, but all the while I was going through a very destructive phase that involved things I have only told a very select few. But mostly, it involved me not being myself because I am afraid of being hurt. I don't know if I can go through that again.

The other day a truly good friend of mine was talking to me about her perception of me. Besides the multitude of kind things she believed to be true about me, she mentioned how I once told her that I didn't want to be seen as weak. This struck a chord — the idea of being weak. She said, the things that you say about yourself and believe to be true of yourself are in the eyes of others the furthest from how they actually perceive you. The example in her own life was that she didn't want people to think she was mean, and if there is one person in this world with a gentler disposition, who goes miles out of her way for the benefit of others, it is this woman.

I am so concerned about others seeing me as someone who can handle it; someone who doesn't need others. I thought because I still spent time with friends and family, made phone calls and sent emails, 'liked' things on Facebook, sent a note, whatever — that that was enough, but those things, while good and nice, have to be matched with the freedom to really share. It is not easy for anyone to share honestly. And, truthfully, I don't think one should share everything with everyone all the time — this is not what I am advocating to anyone, and least of all to myself. But for those I'm closest to or want to be close to, there is not real love, compassion, relationship, etc. unless it is met with the vulnerability to say you need someone, you want someone, you care about someone, and open yourself up to the possibility of them hurting you. For real connection, I have to be willing to take down this facade of being too cool, of having a game face, of using comedy and stories and small talk, in order to feign comfort. It's a faux comfort. Real comfort, though, that is what we all crave, and that's why many of us spend so much time alone. I'm the only person I can truly just be myself with. No one knows, no one sees. In truth, I want the comfort I have alone but with someone else. 

But I am afraid, so I protect myself. 

I find myself neglecting people, waiting for them to make the first move, and pretending like I am ok when they don't. I convince myself they don't want to know me anymore, and I am afraid to tell them I want to keep knowing them. It is gridlock because we all do this.

I verbalize the words: "I don't need you" every single day. I've said it to my mom, I've said it to my dad, I've said it to my sister, to my brothers, to my friends, to boyfriends, to teachers, to confidantes, to anyone that could remotely affect me. I've said it to friends about other friends. I say, "I like them, I care about them, but I don't need them." 

This, this is something I have said about those I need most. If I admit that I need them, then for me, it feels like they have the power to wound me. The truth is, they have it anyway, because I do care, they just might not know how much. And this perceived notion that I don't care lets them off the hook to show how much they actually care, if indeed they do. (That last bit was me protecting myself even as I write about being open. It never stops.)

The truth is, I care about the people in my life deeply. If you're in my life at all, I care about you. I am so afraid that I don't have the capacity to share who I am fully. I am so afraid that I will be rejected. I am so afraid. It's like a sickness, my fear.

Even as I write this now I find myself censoring my words, my heart. I'm afraid that someone will read this and think: "God, she is so freaking dramatic. I'm so glad she moved to Los Angeles so I never have to see her again unless she makes it, in which case, ugh, I am so jealous, because honestly, she isn't even funny or pretty, or nice, or anything."

I thought this thought the other day: "We are all scared people pretending not to be." I am a huge offender. 

Another phrase I use to hold people at bay is this: "Everyone is the worst, and I am the worst of all."

This comes from a place of shame. Shame is like a cancer, and it will destroy you if it isn't addressed. Shame is what we feel about who we are, and it's why we hide. It can come out of regret, it can come out of past hurt, it can seemingly come out of nowhere. For me, it comes out of past hurt, of past heartbreak. Not always the kind involving a girl and a boy, though it's been known to happen (both me breaking and being broken), but also heartbreak from friends, of let downs from my parents, of jobs I didn't get, of hugs not given, of love and compassion I didn't give myself; in short, when something happened that made me feel like I was not enough.

I listened to a Ted Talk another friend emailed to me (I know, haha, Ted Talks, but those are good!) and the woman, Brene Brown, talked about shame, courage, authenticity and vulnerability. 

She said this:  

"Shame feeds into our sense of worthiness. Those that have a strong sense of love and belonging believe they are worthy of connection. "

After talking to another dear friend about how hard it is for comedians to accept praise and compliments, I concluded that for me, it has a lot to do with the innate feeling that nothing quite fills me — discontent. The irony is that performers are perhaps the neediest people when it comes to them, but accepting praise (love and belonging) is difficult because we can stop for a second and be ok with our apparent success. For me, I always felt being content was the opposite of being driven. This is faulted. It is just not true. Being discontent, not accepting love from others, keeps us out of and feeling unworthy of connection. One can accept love/praise/compliments/etc, and still strive to be a better version of themselves on stage and otherwise, a more real version of yourself, yourself. Your real self.

To have real connection with others is a result of both parties being authentic: letting go of who I want to convey I am, and just be who I am: being vulnerable. 

I am not a vulnerable person, and my personality and actions are often calculated. As I'm writing this, I am rewriting, trying to be more clear, trying to show what I want to show, trying to be authentic, but somehow feeling like I am not, while still writing well, while still making a point, while I don't know. It's as if I want to share more about the specifics of my life, but the truth is I don't want everyone to know my truths. But, I want to be open to those who want to know me and who I want to know. The nitty gritty truths of our experiences aren't what's truly important, but rather they're things that draw us closer to each other. I don't think it's appropriate to tell everyone everything all the time, I'll say it again, but we're not alone in those experiences. And to try to go it alone is an upward and losing battle. I'm realizing this, and to keep myself an arm's length away is really hard and very lonely, and it's not worth it.

I'm just trying to have courage to share what I am going through as a person, because I think a lot of us go through this. A lot of people think we have to be some version of ourselves so someone somewhere will think something of us. Some. Some. Some. I'm trying to tell the story, the truth of who I am with my whole heart. I'm trying to have the courage to be imperfect, to be compassionate to myself so I can show compassion to others, to be real, to accept not except that being vulnerable means being ok that someone might read the first line of this and think, "Fuck this bitch. She is too much for me." It doesn't feel good, but it's necessary in order to be open.

I might be too much, but I would rather be all of me, then just some of me.

There is more, there's always more, but this is where I am at today. Hopefully I don't delete this tomorrow.

And I love that.

There's a cat in the alley.
And I hate it.
But she belongs to someone.
Some little girl.
A neighbor perhaps.
And that's nice.
I can recognize how very nice that is.
And I love that.

There's a smile on the face of the man.
The old man in the stairwell.
I see his crooked teeth.
And his inviting face.
He is one of those people.
Those people who smile just because.
Because they can't not.
And I love that.

There's a girl on top of her roof.
She's alone there.
Taking it all in.
And there is so much.
She can't possibly soak it up.
But she's there.
She's not going anywhere.
And I love that.

Hello, My Name is.

I'm forgetting
what it's like
to be a human being
to breathe breath
to talk words

there are beads spread out
all over the floor
of this small apartment

you always said it was so little
with your big house
and your big bigness
how very big of you

when the sapphire
fires
there will be a blue haze
overcoming me

and i will be there
but not
because i forgot

that's what happens
when you can't breathe breath
you lose yourself
bits and parts of that little brain
how very little
how little of me is left

circular circles
with holes cut out
strung strings
the stuff of paupers

this is the stuff
stuff's made of
atoms and bombs and car phones
and hearts and bloody bloody bloods

don't forget about me!
i forgot me at home
i forgot to pick me up at school
i forgot that today's my birthday

any day is a day
every day feels the same
erase it restart it get over it forget it

make believe 3

as we sleep
we imagine all of each other
as we really are.

we imagine the people there
the ones whose bodies lie, that
we see inside each other.

our quiet forms
quiet from dreaming
our quiet dreams.

we trace our hands 
across each others faces
we do it, and we don’t know.

as we wake
we put on clothes
as if we’re someone else.

we pretend we're not who we are
that we are unaffected 
we're not.

our quiet forms
quiet from not sharing
our quiet selves.

make believe 2

as i sleep
he imagines all of me
as i really am.

he imagines the person there
the one whose body lies, that
he sees inside me.

my quiet form
quiet from dreaming
my quiet dreams.

he traces his hands
across my face
he does it, and i don’t know.

as we wake
we put on clothes
as if we’re someone else.

he pretends he’s not who he is
that he is unaffected
he’s not.

my quiet form
quiet from not sharing
my quiet self.

make believe 1

as you sleep

i imagine all of you

as you really are.

i imagine the person there

the one whose body lies, that

i see inside you.

your quiet form

quiet from dreaming

your quiet dreams.

i trace my hands 

across your face

i do it, and you don't know.

as we wake
we put on clothes
as if we're someone else.

i pretend i'm not who i am
that i am unaffected
i'm not.

your quiet form
quiet from not sharing
your quiet self.

the shape of your mouth.

a whisper takes you in.

come here.

hot, damp breath beckons.

come here.

air breezes by.

no suffocation and no hesitation.

come here.

as subtle as an arms graze.

gentle and inviting.

there is no waiting.

"come here."

She said.

She said I loved the kind hearted man.
The one with a soft soul

The old tree without leaves
Hugged by the earth as it dies a slow death

She said I wanted the one who didn't know what want was.
The one with an empty unfillable hole

The grass matted down
Crushed from the weight of the sun

She said I hoped to find that which cannot be found.
The one whose existence is a myth





*For Colleen.