the past/ sitting/ and the future.

You can light the fire that's in your head

Put it off, tomorrow will come instead

We don't watch the tower that tells us when

Pull the wicked flower out from its bed.

The Dodos, "Walking"

This time last year I was passing through Arizona, crossing the border into California, and eventually rolling up into Los Angeles onto Russell Avenue. A new apartment in my continued life, a new part.

One of the most generous, caring and scattered people I've ever met and loved forever, Carly Mandell, was in tow. And sweet, thoughtful, generous and gentle, Alli Arnold, was waiting with fresh homemade cookies and beers. Everything I saved from my old life was with me, ready to be part of what my parents called my "new adventure." (I originally thought that was a rather condescending sentiment, but then again, when my sister Colleen moved out here in 2008, my parents referred to Los Angeles as "Camp Hollywood" for two years.)

Three-hundred-sixty-five days isn't that many days (even if spelling it out makes it seem the opposite), and the longer I am here, the more I realize that truth. It's so funny. The first question new people ask of you tends to be, "How long have you been here?" or some derivative, and after about three months, I literally became old news; that felt so good. It feels good to be considered part of this insanely transient city where people are like migrating birds, telling themselves: "I'll give it a month," "I'll give it a year," "I'm just testing out the waters," "I'm going to see what I'm made of," etc.

But then you meet the people that are here for decades, that grew up here, that have no intention of leaving — and you're a baby to them, this one-year-old baby with chubby cheeks, a can-do attitude, and more blind faith in their talent than maybe even armed with talent. But as Steve Martin says in his book Born Standing Up, "Persistence is a great substitute for talent."

In some ways I thought moving here would change everything, but it didn't. It didn't change my drive — it encouraged it. It didn't change my energy — it grew it. It didn't change my goals — it clarified them. Making this move has made my life more pointed. I know where I want to go, and all of my choices (I hope) are evidence of that, down to the variety of jobs I've held since landing in La-La-Land.

Even now, after months of go-go-go, for the last four weeks I have spent an unusual amount of time sitting down — first in my car — then in a chair — that's in my office. So much sitting at this new job, a short term gig that will take up my days until the end of the year. It's too much sitting for me. I don't know how so many people do jobs like this for their whole lives. The only logical reason that one could do this much sitting is because it's what you have to do in order to keep living in Los Angeles because living is expensive and when you're not at this job you're trying to be a paid actor. (Run on sentence to illustrate my psychotic ability to do a million things, however frantically/poorly.)

I am so thankful that I know this won't be how I spend my life in the long run. I am so thankful that I am not content to bounce around from day-job to day-job without the hope that my persistence, talent, comedic sensibility, look, and all these things a million people have, but that I somehow illogically think will make me different — will actually make me different.

And it's fine. It's fine that this is what you have to do. People don't talk about the grind they had before they did what they want to be doing. It's the first chapter to the rest of your life. So right now, yes, it seems that most of my life is going from one sitting job to the next job I sit at, but fortunately for me, there's a smattering of film projects, sketch shows, improv performances and auditions in between. I am so thankful.

But seriously — I cannot believe how much sitting I do. (My next post will be a break down of the amount of sitting I do, if you're curious.)

So here's to being here for another year, and all the years after that.

this is not a poem, this is the most real thing i have written to a group of people who might read this and i am very scared.

This is coming from a place of honesty. I haven't written as myself in more than six months (i.e. my entire time since moving to Los Angeles thus far), choosing purposefully to write through the narrative voices of made up characters in made up settings with made up scenarios — or poems, so many poems. Often these stories and characters are versions of me, or the people in my life, as is the case with many writers, so it felt like I was still able to express what I thought, experienced and have been feeling. But as I continue to think about it more, I know that this has very much been a response to me not wanting to be really open about my fears, my future, my everything. It's my own little "arm's distance away." And because I love telling stories and creating worlds, and I'm good at it, I didn't know the level of self-destruction I have begun to take on.

There's that term, "take up your arms" when referring to battle. Every day to me feels like a battle, and I am so alone. I am fighting off those I am closest to every single day, and I am seriously fighting off those who could potentially want to be close to me. I'm doing this, and it is sabotage.

I don't want to share.

And, I don't want to do it because I am afraid. I am afraid that the things that make me who I am won't be good enough in the eyes of the people around me: close, far, unknown, known, doesn't matter. This is not ok. And, it's something I didn't know was a real problem until very recently, even though it has been boiling since September 2012, if we're being real, and I am. If we're really being real, then I would say it goes back further, but 2012 was the hardest year of my life. I feel like I'm not conveying the real gravity and impact of this period of my life or that it won't seem like that big a deal, but it really was. I am scared that you won't think it was as awful as I do.

In very short, because I am scared, awful things happened, and then I was fake-ok for a time. Performing was good, and I was insanely productive, but all the while I was going through a very destructive phase that involved things I have only told a very select few. But mostly, it involved me not being myself because I am afraid of being hurt. I don't know if I can go through that again.

The other day a truly good friend of mine was talking to me about her perception of me. Besides the multitude of kind things she believed to be true about me, she mentioned how I once told her that I didn't want to be seen as weak. This struck a chord — the idea of being weak. She said, the things that you say about yourself and believe to be true of yourself are in the eyes of others the furthest from how they actually perceive you. The example in her own life was that she didn't want people to think she was mean, and if there is one person in this world with a gentler disposition, who goes miles out of her way for the benefit of others, it is this woman.

I am so concerned about others seeing me as someone who can handle it; someone who doesn't need others. I thought because I still spent time with friends and family, made phone calls and sent emails, 'liked' things on Facebook, sent a note, whatever — that that was enough, but those things, while good and nice, have to be matched with the freedom to really share. It is not easy for anyone to share honestly. And, truthfully, I don't think one should share everything with everyone all the time — this is not what I am advocating to anyone, and least of all to myself. But for those I'm closest to or want to be close to, there is not real love, compassion, relationship, etc. unless it is met with the vulnerability to say you need someone, you want someone, you care about someone, and open yourself up to the possibility of them hurting you. For real connection, I have to be willing to take down this facade of being too cool, of having a game face, of using comedy and stories and small talk, in order to feign comfort. It's a faux comfort. Real comfort, though, that is what we all crave, and that's why many of us spend so much time alone. I'm the only person I can truly just be myself with. No one knows, no one sees. In truth, I want the comfort I have alone but with someone else. 

But I am afraid, so I protect myself. 

I find myself neglecting people, waiting for them to make the first move, and pretending like I am ok when they don't. I convince myself they don't want to know me anymore, and I am afraid to tell them I want to keep knowing them. It is gridlock because we all do this.

I verbalize the words: "I don't need you" every single day. I've said it to my mom, I've said it to my dad, I've said it to my sister, to my brothers, to my friends, to boyfriends, to teachers, to confidantes, to anyone that could remotely affect me. I've said it to friends about other friends. I say, "I like them, I care about them, but I don't need them." 

This, this is something I have said about those I need most. If I admit that I need them, then for me, it feels like they have the power to wound me. The truth is, they have it anyway, because I do care, they just might not know how much. And this perceived notion that I don't care lets them off the hook to show how much they actually care, if indeed they do. (That last bit was me protecting myself even as I write about being open. It never stops.)

The truth is, I care about the people in my life deeply. If you're in my life at all, I care about you. I am so afraid that I don't have the capacity to share who I am fully. I am so afraid that I will be rejected. I am so afraid. It's like a sickness, my fear.

Even as I write this now I find myself censoring my words, my heart. I'm afraid that someone will read this and think: "God, she is so freaking dramatic. I'm so glad she moved to Los Angeles so I never have to see her again unless she makes it, in which case, ugh, I am so jealous, because honestly, she isn't even funny or pretty, or nice, or anything."

I thought this thought the other day: "We are all scared people pretending not to be." I am a huge offender. 

Another phrase I use to hold people at bay is this: "Everyone is the worst, and I am the worst of all."

This comes from a place of shame. Shame is like a cancer, and it will destroy you if it isn't addressed. Shame is what we feel about who we are, and it's why we hide. It can come out of regret, it can come out of past hurt, it can seemingly come out of nowhere. For me, it comes out of past hurt, of past heartbreak. Not always the kind involving a girl and a boy, though it's been known to happen (both me breaking and being broken), but also heartbreak from friends, of let downs from my parents, of jobs I didn't get, of hugs not given, of love and compassion I didn't give myself; in short, when something happened that made me feel like I was not enough.

I listened to a Ted Talk another friend emailed to me (I know, haha, Ted Talks, but those are good!) and the woman, Brene Brown, talked about shame, courage, authenticity and vulnerability. 

She said this:  

"Shame feeds into our sense of worthiness. Those that have a strong sense of love and belonging believe they are worthy of connection. "

After talking to another dear friend about how hard it is for comedians to accept praise and compliments, I concluded that for me, it has a lot to do with the innate feeling that nothing quite fills me — discontent. The irony is that performers are perhaps the neediest people when it comes to them, but accepting praise (love and belonging) is difficult because we can stop for a second and be ok with our apparent success. For me, I always felt being content was the opposite of being driven. This is faulted. It is just not true. Being discontent, not accepting love from others, keeps us out of and feeling unworthy of connection. One can accept love/praise/compliments/etc, and still strive to be a better version of themselves on stage and otherwise, a more real version of yourself, yourself. Your real self.

To have real connection with others is a result of both parties being authentic: letting go of who I want to convey I am, and just be who I am: being vulnerable. 

I am not a vulnerable person, and my personality and actions are often calculated. As I'm writing this, I am rewriting, trying to be more clear, trying to show what I want to show, trying to be authentic, but somehow feeling like I am not, while still writing well, while still making a point, while I don't know. It's as if I want to share more about the specifics of my life, but the truth is I don't want everyone to know my truths. But, I want to be open to those who want to know me and who I want to know. The nitty gritty truths of our experiences aren't what's truly important, but rather they're things that draw us closer to each other. I don't think it's appropriate to tell everyone everything all the time, I'll say it again, but we're not alone in those experiences. And to try to go it alone is an upward and losing battle. I'm realizing this, and to keep myself an arm's length away is really hard and very lonely, and it's not worth it.

I'm just trying to have courage to share what I am going through as a person, because I think a lot of us go through this. A lot of people think we have to be some version of ourselves so someone somewhere will think something of us. Some. Some. Some. I'm trying to tell the story, the truth of who I am with my whole heart. I'm trying to have the courage to be imperfect, to be compassionate to myself so I can show compassion to others, to be real, to accept not except that being vulnerable means being ok that someone might read the first line of this and think, "Fuck this bitch. She is too much for me." It doesn't feel good, but it's necessary in order to be open.

I might be too much, but I would rather be all of me, then just some of me.

There is more, there's always more, but this is where I am at today. Hopefully I don't delete this tomorrow.

with you.

"I can't believe how empty your house is."

"Believe it, Serge."

"I don't want to," he said. "If I believe it then it's real, and then you're —"

Serge cut himself off, and the six-foot frame lanky before her turned away.

"—then I'm gone?" Hannah offered. She was wearing a pair of jean shorts and an oversize grey t-shirt she'd stolen from an ex-boyfriend. It was hot in her apartment, but they had already removed her window unit.

"Yeah," Serge said.

Repeating him, "Yeah."

"I'm going to miss you." Serge was still faced away from her. He was fiddling with her curtain. It was one of the only things left in her bedroom. This curtain and a slew of dust bunnies where her bed used to be were the only markers she'd been there at all. Hannah was thinking of just leaving the curtain there, but when she remembered how much it had cost her at World Market, she decided on keeping it.

"I know," Hannah said. Her face was soft and warm, the kind of face that a child has but is supposed to lose when they grow up, but hers stayed the same — big eyes and round cheeks, and just one freckle left of center on her nose.

Hannah wanted to say she would miss him too, but she didn't want to give him the wrong impression, which is to say, she didn't want him to think that this was the time for him to profess his love for her. It was too obvious, how much Serge loved her. And Hannah had known for a long time. She had known and she had let him sit with it because she cared about him, but not in that way and couldn't help that she was the only person who could make his unrequited love requited, but she couldn't actually. We all think how simple it would be if love was returned when it was offered. It's not fair, though, life.

You love who you love, Hannah would catch herself thinking after spending the day with Serge. Then she would text back and forth with whoever guy of the week she crushed on at the moment. And of course, those texts would go no where, and she would be alone, and Serge would be there, until one day he wouldn't be, because eventually we have to leave those sorts of situations. You settle so that your heart stops aching. You settle because you think it's the only escape from the continual brokenness that's yours until it's not. But, you always know you're settling, and the ache dulls, but it doesn't stop existing. It's just a soft stab...a shard of glass from a broken vase that shattered months earlier.

 "I know, too," said Serge. He wanted to say he knew she wanted to love him. But needs, wants, desires, unrequited, some things just are those and nothing more.

Serge looked at her; he wanted to grab her hand, wanted to hold it, wanted for his to be the hand she wanted to hold. He wished he was wearing his shoes, but he wasn't, and he suddenly felt like he shouldn't be there anymore. It would be awkward though, to just say he had to go and then have to spend a few minutes locating his shoes and then putting them on. He couldn't just up and leave.

 "Can you help me with this?" Hannah had broken eye contact with Serge. It was all too much. She was pointing to the curtain. It was white, and the bottom of the fabric had what looked like a summer grassy motif printed on it. It looked like an afterthought, and every time Serge had seen it in the past he thought that.

Serge turned to face her again, resigned to his shoeless feet.

"You're sure you want to bring it with you?"

"No," she said, brushing a loose hair from her eyes, a motion that undid Serge. Four feet apart might as well have been a world away, and they both knew it.

There was too long of a silence.

"It's better than nothing," she said.

Serge moved to the right of the window and began loosening the rod.

"You're right."

Un-unique

Elaine Terre, Ellie to her friends, leaned gracefully over her egg white porcelain sink. Her eye make-up smudged all over her upper and lower lids. Trapped in the corners of her hazel eyes were the remnants of tears she was attempting to wipe away.

"I'm just done." She thought it out loud. "I'm just," a pregnant pause, an exasperated sigh, "done."

She'd been fired. It felt like a glorified dumping. Broken up with by the career that didn't want her anymore. Left alone on the skirts of Unemploymentville Co. Population: her. She felt like a cliché, and all of her thoughts backed that feeling up.

It happens to everyone. The phrase echoed in her head from a conversation she'd finished earlier that evening with her sister. Her sister, Carolyn, was an attractive young woman, aged 29, single, with a semi-high-powered career on the way to an actual high-powered career in fashion merchandising. She had little empathy for anyone when it came to relationships, jobs or general livelihood, likely due to her lack there of.

Carolyn and Elaine had a tumultuous relationship growing up, not unlike most sisterly relationships. Elaine, being the younger, found talking to Carolyn exacerbating, and would dodge opportunities to do so regularly —that is she until Carolyn would figure out a way to corner Elaine into conversation, often by trapping her in actual corners.

During the summers the pair would play a game in their country club swimming pool called, Spider. Essentially, one of the girls would hold onto the sides of the pool, often in a corner, with their legs spread while the other would have to attempt passage through the triangulated legs and arms of her sister without touching. If one indeed touched, even a hair, a strike would be marked. Three strikes and you would have to run around the perimeter of the pool. It doesn't sound as bad in retrospect, but summers in the midwest still brought about a cool air that made the pool a warm sanctuary once you were in, as the outside world remained an icy fortress.

Ellie thought about all those memories as she starred past her own reflection, wiping away her history and whatever Revlon still clung to her cheeks. Still, more tears clouded her vision.

Was I wrong? She questioned for the nth time. But she knew the answer. No, she wasn't wrong. And, she shouldn't have been as upset as she was.

It happens to everyone, El. 

done

--> There’s a place I’ve been where the walls are wearing skin

Where no one lives inside, it’s just an empty hollow hide

The snow falls briskly, leaving you thin, so prickly

Where short, short skirts tend to silken shirts

and we are all so low.

There’s a place I’ve been where you would only hear that pin

Where no one says hello, how dare you consider your friend your fellow

The sky turns purple, orange, red, you might as well rip yourself to shreds

Where wavy hair meets a woman’s stare

and she whispers hello, goodbye.

There’s a place I’ve been where all you want is out

Where children fear

and I tear

Where there is no air

and I tear

Rip it. Deface it. Call it Nothing.

There is a place I have been.

glassy eyed.

The other day I found my childhood diary. Yes, the one I had faithfully written in for five years from ages 7 to 12. As a kid I remember spending a lot of time alone hiding in the playroom's small walk-in closet, living like a hermit listening to the sounds of my siblings playing together while I retreated into my separate imagination. I created a whole world in there. A whole world by myself that Larry, Colleen, Sean, Timmy and Kevin couldn't disrupt. Thinking about it now, there's something about loneliness that has always plagued me. And however cliche it certainly is, I remember how much I wanted to be paid attention to as a child. I remember how accurate the term crush was every day of junior high. I remember thinking the neighborhood girls were snobby and that at heart, we had nothing in common anyway; I could never bring myself to fake it. Now 15 years later not so much has changed. I'd rather actually be alone than feel alone with people who happen to be next to me. Maybe everyone's like this. Maybe not.

There's something about loneliness that has buried itself in my heart. I don't share my feelings regularly. Sometimes I feel like an emotionally vacant person, like a dad in the 50s, like Don Draper. But the thing is about dads and Don Draper is they do have feelings, a lot of feelings and they're wandering lost just like the rest of us. There's this constant struggle of not wanting to show our cards because if you do then you are open to the elements. And somehow, when the moment strikes and you actually find yourself in that moment of vulnerability, you get stung. Every time you vow to keep it locked up tighter next time, don't share, don't care, don't don't don't, somehow someone comes along, and magically they get that guard to come down, and right when you think you're safe -- you just...aren't. Perhaps we're meant to be breakable, but to what end?

Growing up my family mockingly teased me by calling me glassy-eyes, referring to the way my big brown eyes watered uncontrollably whenever I would actually express how I felt. I would try so hard to keep my emotions at bay to no avail. A slight shiny, wet film would overcome my eyes just waiting until those heavy tears couldn't help but spill over. Now, I attempt to close off entirely, if not by neglecting a good cry, at least doing it at the AMC River East some random Thursday morning during a showing of whatever I want to see by myself that day when no one can see how much I care. Perhaps a stranger will see me in the dark responding disproportionately to the sad parts in Woody Allen's Blue Jasmine, but that's ok.

One of my life-friends, a compatriot in not wanting to need others, recently returned from a long, long walk. A 32 day walk spanning 800 km along the Northern reaches of Spain. The Camino de Compostelle. She's been a person seeking adventure and finding it as long as I have known her, which is now over a decade. Reading her entries reflecting on her journey and after talking last weekend over french toast, she has come to a place of serenity and openness that I have never quite known. This particular post struck me. I was overcome with how much there is here. I didn't cry, but I wanted to:

There was no other choice. It was clear. 

There is strength in weakness. 

There is beauty in needing people and reaching out your hands for help. 

We weren´t made to walk alone.

It's so easy to become swept up in what it is to be lonely, to assume everyone else is a part of something, to feel as if you're on the outside. It's so easy to be the wallflower sitting in your apartment on New Years, or any Friday in September, listening to the sound of life in the next building over. But even if all those things are true, even if 5-year-old me was that way, that doesn't mean 27-year-old me has to be.

Something like it.

There were pictures everywhere in his apartment. Not pictures of family or friends, or anything that would speak to who he really was, but rather these faux antique prints. They were cool, mind you, but it bothered me. I couldn't quite figure out why until now. Something inauthentic about the nature of his life. I laid down my coat, as I had a few weeks before, on the floor. He picked it up, put it on the back of a kitchen chair. It hung there limply. We sat. We sat and starred at one another for a few seconds, each taking the other in. It felt like it had been a while, yet none at all, and at the same time it genuinely felt like it wasn't real. Oh, the irony.

A few weeks really isn't very much time. Don't we all let time slip by without even noticing? Years go by before our base instincts of "Wait! What's happening in my life" kick in. It's adult time, and a lot can happen in adult time. Blink, and you're thirty, or fifty, or dead.

It was late when I came over. Rain swept across the street, my wedges drenched in January precipitation. Not wearing enough make-up for it to run. Buzzed in. Door opened. Welcomed.

"So what's been up?" I asked, knowing his answer would be as void of content as my question.

"You know, just been busy." Ding ding ding. A pause. "You know."

But I didn't know. That's why I asked. How easy is it to get out of actually knowing a person? Very easy.

"Yeah," I smiled. "I know."

A few minutes later, jokes exchanged, conversation came easier, and with that a comfort we all long for. But it's a fake comfort. A fake relationship. More like a relationship that in the end no one wants, so we discard it like the groceries we intended to eat, but instead let spoil.

There are smiles that in the end mean nothing, and a connection that is no connection at all. So we sit at the bottom of the bin; it was anything but pretend, because it happened. And we both wish it didn't.

"And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile" -TS Eliot. The Love Song of J. Alfred Prufrock

Sliding Doors.

The tricky thing about getting to know someone lies in the opportunity to do so. Opportunity missed is the single worst thing that can befall anyone. Feeling jipped in any context is a straight burn. I've been thinking lately, perhaps too much, but in any case, I've been thinking, and I've come to some conclusions.

Let me enlighten you, or at least explain away myself. I've come to the conclusion that:
1. Not everyone is going to like you, and yes, it will bug you, and you'll try and change yourself, but in the end, you're all you have, so like yourself.
2. Needing a second, third or fourth chance really just solidifies what the first found.
3. For me, words speak louder than actions because I don't mind doing things or being alone, but there's only so much I can say to myself to feel better when I need a pick-me-up. The heartfelt sentiments of others does wonders on this girl.

I've come to some other conclusions as well:
1. Trying to plan anything usually ends up being a waste.
2. I rarely spend time with people that I dislike spending time with, so there's that.
3. I feel very safe on stage, while most people tend to feel completely bare.

happy september

this is my very favorite of months. throughout the year i am always looking forward to september. it's the perfect month. there's this thing that happens in september, and it can only be classified under unbelievable contentment.

so. in keeping with things i love, i give you this. matt wertz's "lonely tonight." it goes hand in hand with my last post regarding loneliness. i think september is perhaps the only month where the idea of walking around solo in the perfection of a crisp, smooth, lovely night thrills me.



"Lonely Tonight," Matt Wertz

6th and green is a warm place in November
When the air is cold and the leaves blow on the ground
And I don't think that I can even remember
Why it was that i came to this town

Because I just want to be lonely tonight
Just me and my maker in this cold moonlight

This is me on the eve of an ending
To what I've known's been constant for a year
And I'm so scared of this pain that I'll be sending
Sometimes I just want to run away in fear

Because I just want to be lonely tonight
Just me and my maker in this cold moonlight

No, I haven't heard your voice in two weeks now
And anticipation's been wearing me thin
And I just can't help but wonderin' baby if somehow
We could tear these pages out and begin again

Because I just want to be lonely tonight
Just me and my maker in this cold moonlight
I just want to be lonely tonight
With no one around to see the sight
Of me lying here

'Cause this is the hardest thing I've ever done before
I said this is the hardest thing I've ever done before
And I don't want to be lonely
But I won't be lonely tonight
Because my maker's holding me

Pondering loneliness

"We're all lonely for something we don't know we're lonely for. How else to explain the curious feeling that goes around feeling like missing somebody we've never even met?"

- David Foster Wallace

"'Don't you want to join us?' I was recently asked by an acquaintance when he ran across me alone after midnight in a coffeehouse that was already almost deserted. 'No, I don't,' I said."

- Franz Kafka

For me loneliness is a toss up. I often elect for it, but when it's just happenstance it feels like emptiness. There is something nice about not having to do anything, impress anyone or go through any sort of motion, but there is so much worth in spending time with others. There's a lot to be learned, at the very least, in as much as the same way that spending time solo can. All in moderation?

I suppose in some ways a belief system involving a creator might as well be a crutch for the lonely, but what's wrong with that? Is there anything wrong with being aware that there's a reason loneliness feels like you have lost something? Then again, there's nothing wrong with taking time to check in with yourself, think, rinse and repeat.