raison d'être.

College feels like a million miles away. It feels so far that it nearly feels like it didn't happen, or barely happened. I don't remember it. I didn't drink heavily. I didn't party hard. Sometimes I'm shocked by the amount of "doing" that I just didn't. I went to class; I auditioned for one play (and got so embarrassed by forgetting my monologue that I dropped out of the theater school entirely); I wrote for the Daily Iowan; I hosted a weekly radio show for three years on KRUI 89.7. I  called it "The Early Morning Airstrike."

Higher education — it's supposed to be this time of self-discovery, learning, adventure, finding out what you're good at, trying things — but I don't really think I did those overarching things. I was busy doing this and then that, creating friendships that when looked at closely these days aren't all that close (at least not anymore). Both of my college roommates ended up in Los Angeles post graduation, yet we seldom get together. It's no ones specific fault. We just lead different lives, have different interests, different priorities. We're different, after all. When I really think about it, it's unbelievable that we've made it this far because we are so different.

This time last year, I was just ending a sub-chapter back in a University setting. I was behind a desk, working in an office, watching students linger outside classrooms, skateboard past signs that say "No Skateboarding," and wear business suits as an assignment — And now a full year after that, I'm left wondering, where did it all go? Even if you're in the same decade, it's unbelievable how different a 20-year-old is from a 29-year-old. The incremental change each day of those 365 days from 29 to 30 hits you the day before your birthday. It isn't incremental at all. And now that keep hitting these painful numbers, it feels like I've somehow moved further away from something rather than toward something else. I don't think I'll ever feel my age again. Maybe when I'm 80. By then my hips, knees and eyes won't let me skip past the truth like they do now.

I'm not old. I'm not. I'm really not. But, I feel old. I feel left behind. I have this overwhelming sense that my life is passing me by. I'm sure I'm not alone in this. Like I didn't just waste a couple decades. It seems that for most people their job is where they find their satisfaction, their reason to be, "raison d'être." And as a performer, it's tough to know that my career is somewhat in the hands of others. Yes, I can create my work — I can write for myself — I can join teams and perform shows, and so on, and on, and on; I can do all of these things, and that is amazing. But what does it matter if no one sees it. If no one thinks it's good enough to pay for. Where is my worth? I have so much control, but what is control anyway?

Google defines it as "the power to influence or direct people's behavior or the course of events." But this is only a half definition to me. Control can direct, sure, but when you're out of control there is also a direction, and it's not always down. The relationship between control and success is a lie.

I have so much less "control" than I think. I can do what I can to direct the course of my life, but life will do what it wants, and other people in their lives are doing the same, and my life will intersect with theirs, and there will be "right time and right place," and then the less popular, but more common, "wrong time and wrong place," followed by the confusing, "wrong time and right place," and then of course, the ever frustrating "right time and wrong place." If we're looking at life as a Punnett Square based on life situations: Time and Place as the main variables — "right time and right place" accounts for just 25 percent of what life hands you, the rest, darlings, is unfortunately 75 percent the mismatching of everything else. We cannot control time. So inevitably control is for nothing.

If I want to make any money at my creative craft, that alleged control I love to have so much, goes to the birds. Others write my paycheck. It's incredibly tough.

Where does that leave me?

It leaves time as the constant variable that won't allow itself to be controlled.

the past/ sitting/ and the future.

You can light the fire that's in your head

Put it off, tomorrow will come instead

We don't watch the tower that tells us when

Pull the wicked flower out from its bed.

The Dodos, "Walking"

This time last year I was passing through Arizona, crossing the border into California, and eventually rolling up into Los Angeles onto Russell Avenue. A new apartment in my continued life, a new part.

One of the most generous, caring and scattered people I've ever met and loved forever, Carly Mandell, was in tow. And sweet, thoughtful, generous and gentle, Alli Arnold, was waiting with fresh homemade cookies and beers. Everything I saved from my old life was with me, ready to be part of what my parents called my "new adventure." (I originally thought that was a rather condescending sentiment, but then again, when my sister Colleen moved out here in 2008, my parents referred to Los Angeles as "Camp Hollywood" for two years.)

Three-hundred-sixty-five days isn't that many days (even if spelling it out makes it seem the opposite), and the longer I am here, the more I realize that truth. It's so funny. The first question new people ask of you tends to be, "How long have you been here?" or some derivative, and after about three months, I literally became old news; that felt so good. It feels good to be considered part of this insanely transient city where people are like migrating birds, telling themselves: "I'll give it a month," "I'll give it a year," "I'm just testing out the waters," "I'm going to see what I'm made of," etc.

But then you meet the people that are here for decades, that grew up here, that have no intention of leaving — and you're a baby to them, this one-year-old baby with chubby cheeks, a can-do attitude, and more blind faith in their talent than maybe even armed with talent. But as Steve Martin says in his book Born Standing Up, "Persistence is a great substitute for talent."

In some ways I thought moving here would change everything, but it didn't. It didn't change my drive — it encouraged it. It didn't change my energy — it grew it. It didn't change my goals — it clarified them. Making this move has made my life more pointed. I know where I want to go, and all of my choices (I hope) are evidence of that, down to the variety of jobs I've held since landing in La-La-Land.

Even now, after months of go-go-go, for the last four weeks I have spent an unusual amount of time sitting down — first in my car — then in a chair — that's in my office. So much sitting at this new job, a short term gig that will take up my days until the end of the year. It's too much sitting for me. I don't know how so many people do jobs like this for their whole lives. The only logical reason that one could do this much sitting is because it's what you have to do in order to keep living in Los Angeles because living is expensive and when you're not at this job you're trying to be a paid actor. (Run on sentence to illustrate my psychotic ability to do a million things, however frantically/poorly.)

I am so thankful that I know this won't be how I spend my life in the long run. I am so thankful that I am not content to bounce around from day-job to day-job without the hope that my persistence, talent, comedic sensibility, look, and all these things a million people have, but that I somehow illogically think will make me different — will actually make me different.

And it's fine. It's fine that this is what you have to do. People don't talk about the grind they had before they did what they want to be doing. It's the first chapter to the rest of your life. So right now, yes, it seems that most of my life is going from one sitting job to the next job I sit at, but fortunately for me, there's a smattering of film projects, sketch shows, improv performances and auditions in between. I am so thankful.

But seriously — I cannot believe how much sitting I do. (My next post will be a break down of the amount of sitting I do, if you're curious.)

So here's to being here for another year, and all the years after that.

I can't come up with a title that doesn't sound trite. Perhaps, Living Real.

Lately I've been listening to probably too much music, and I'm at that annoying point where every time I hear a song, I think, "Oh, my God, that is so my life." I am fourteen again. Woo. The Head and the Heart's "Lost in My Mind" flipped onto Pandora at that moment. So, you know what I mean despite the lameness, yeah? In other news, it turns out Katy Perry and I could be best friends because we both have personal whoas. Shoot me if I ever sound this stupid again. I actually hate that I'm writing all this forward intro crap.

ANYWAY. It's been kind of a whirlwind of a week since my last post, which is mostly good. The kind of stress that goes into being honest is unexpected, but it's freeing. I'm sort of done talking about what it means to be real, though. Not that I will cut someone off if I find myself in conversation about it again. I could talk about it forever. It's just, it takes a lot to stop pretending. I am so used to wearing a shield that I sort of don't know what to do with myself right now. Sorry if that sounds real asshole-y, "I'm sort of done," ugh, it's just, what I mean is I want to start actually living more real — not just writing real.

Like, I need to talk things out so that I can know if I'm on the right page with the people in my life. I sort of feel like if I'm not talking to someone regularly it's as if they don't want to know me. No one is a mindreader unless they're a mindreader. That's something I wrote in my last post, not the mindreader part, but the feeling of thinking people don't want to know me. I'm at this point where I can't tell if I should take another step out and tell people I want them in my life, or if it is better to just move on. Who knows if they feel the same way? Oh, the sheer amounts of opportunities missed due to personal gridlock. It's weird. It's so weird.

Actually, something weird happened the other day. I don't normally do stand-up a ton, but it's something that I'm weaving into my life intermittently. It turns out I like to stand up in front of people and open my worldview to them. (We're all shocked.) It's a special kind of rush...knowing you might just blow, and you don't have anyone to blame it on, except maybe high ceilings that swallow laughter. I like to say doing stand-up is like having a conversation where you can't be interrupted, and if you are, you get to go off on that audience member, and everyone is like, "Yeah, lady, you tell them!" That hasn't happened to me much, which I appreciate, though I would sort of love to yell uninhibited sometimes.

Normally I just talk about how much I love my family and maybe tell a story about us all being insane together...things I'm comfortable talking about. A lot of stand-ups find things to gripe about and because it's a shared experience, audiences laugh. They laugh from recognition. That's a very cool kind of laughter, but I love laughs from surprise. What I mean by surprise laughter, is they didn't expect to hear what they heard, but they recognize it still, the laughter of admittance that they understand. I love to surprise myself most of all, probably because I'm a narcissist. (I'm not really a narcissist, and I don't think I actually know any true narcissists in the way that Narcissus, that Greek god, was.)

Anyway, I did a whole set based on honesty, relationships and being real. The first line of the set I got dead silence (which is what I was seriously hoping for, chill out), and then it got laughter because it stopped people in their own brains. It's very uncommon for a comedian, let alone a female comedienne to open with, "Hi, I want to be married." Cats out of the bag! Surprise! I want a lot of things, and this is one of them.

It was so amazing, guys. The fear, anxiety and silence that took over the audience (mostly single male stand-ups) opened the door to the rest of the set: being honest about our hopes for ourselves and the people in our lives — people want to talk about it, apparently, as many of the other comics ended up referencing my set in theirs. It's not as if I want to get married to just anyone anywhere anytime, and not today by any means. But it's real. It's a part of who I am, and I explained why.

There's an unwritten rule in Hollywood that you can't say you want to be an actor on a sitcom, or you want your own HBO stand-up special, or you want to write the next big Blockbuster, what have you. But, clearly if you've made it as far as Los Angeles, those are things that you likely want, and saying you want them makes them more real. It opens you up to others. How are they supposed to know who you are and what you want, if you don't tell anyone?

So, I said it. And I kept up this new trend in my life of being truthful, and it felt fucking good. There's that old ditty, "Truth in comedy," to which I say, "There is comedy in the truth." It has less of a ring, but I think it's clearer. What I think the first means is make your comedy truthful, whereas the latter means, tell the truth, and it will be funny. The difference is slight. It has to do with where you start.

All those things I said before, those are my dreams. And we don't tell what our dreams are because if we tell other people then they know if we didn't get what our dream was. As for wanting to be married, especially as a new-to-LA actress, that's just something you don't say. You don't say a lot of things, life is all about the things that you do not say to one another. There's embarrassment that comes from voicing this particular desire. I would say that the number one thing you don't say as a woman in your twenties or thirties is, "I want to be married." Not everyone wants to be, but I would say most people at least want the comfort of a serious relationship. I'm not going to qualify this much anymore, because I don't think it should have to be, other than to say, marriage is a really great thing if it's between two people who really want to be married. It's being with the person who has your back, is excited to see you, and who you have the freedom to totally be yourself with all of the time — and vice versa, that's important.

Of course, we aren't going to always be 100 percent ourselves with someone else until we're ok with ourselves alone, but that's the goal. You can't be yourself with someone else until you're yourself by yourself. Did you get all that? I had to read it aloud a few times. And that's why relationships should be treasured, given time to grow and fostered with connection.

this is not a poem, this is the most real thing i have written to a group of people who might read this and i am very scared.

This is coming from a place of honesty. I haven't written as myself in more than six months (i.e. my entire time since moving to Los Angeles thus far), choosing purposefully to write through the narrative voices of made up characters in made up settings with made up scenarios — or poems, so many poems. Often these stories and characters are versions of me, or the people in my life, as is the case with many writers, so it felt like I was still able to express what I thought, experienced and have been feeling. But as I continue to think about it more, I know that this has very much been a response to me not wanting to be really open about my fears, my future, my everything. It's my own little "arm's distance away." And because I love telling stories and creating worlds, and I'm good at it, I didn't know the level of self-destruction I have begun to take on.

There's that term, "take up your arms" when referring to battle. Every day to me feels like a battle, and I am so alone. I am fighting off those I am closest to every single day, and I am seriously fighting off those who could potentially want to be close to me. I'm doing this, and it is sabotage.

I don't want to share.

And, I don't want to do it because I am afraid. I am afraid that the things that make me who I am won't be good enough in the eyes of the people around me: close, far, unknown, known, doesn't matter. This is not ok. And, it's something I didn't know was a real problem until very recently, even though it has been boiling since September 2012, if we're being real, and I am. If we're really being real, then I would say it goes back further, but 2012 was the hardest year of my life. I feel like I'm not conveying the real gravity and impact of this period of my life or that it won't seem like that big a deal, but it really was. I am scared that you won't think it was as awful as I do.

In very short, because I am scared, awful things happened, and then I was fake-ok for a time. Performing was good, and I was insanely productive, but all the while I was going through a very destructive phase that involved things I have only told a very select few. But mostly, it involved me not being myself because I am afraid of being hurt. I don't know if I can go through that again.

The other day a truly good friend of mine was talking to me about her perception of me. Besides the multitude of kind things she believed to be true about me, she mentioned how I once told her that I didn't want to be seen as weak. This struck a chord — the idea of being weak. She said, the things that you say about yourself and believe to be true of yourself are in the eyes of others the furthest from how they actually perceive you. The example in her own life was that she didn't want people to think she was mean, and if there is one person in this world with a gentler disposition, who goes miles out of her way for the benefit of others, it is this woman.

I am so concerned about others seeing me as someone who can handle it; someone who doesn't need others. I thought because I still spent time with friends and family, made phone calls and sent emails, 'liked' things on Facebook, sent a note, whatever — that that was enough, but those things, while good and nice, have to be matched with the freedom to really share. It is not easy for anyone to share honestly. And, truthfully, I don't think one should share everything with everyone all the time — this is not what I am advocating to anyone, and least of all to myself. But for those I'm closest to or want to be close to, there is not real love, compassion, relationship, etc. unless it is met with the vulnerability to say you need someone, you want someone, you care about someone, and open yourself up to the possibility of them hurting you. For real connection, I have to be willing to take down this facade of being too cool, of having a game face, of using comedy and stories and small talk, in order to feign comfort. It's a faux comfort. Real comfort, though, that is what we all crave, and that's why many of us spend so much time alone. I'm the only person I can truly just be myself with. No one knows, no one sees. In truth, I want the comfort I have alone but with someone else. 

But I am afraid, so I protect myself. 

I find myself neglecting people, waiting for them to make the first move, and pretending like I am ok when they don't. I convince myself they don't want to know me anymore, and I am afraid to tell them I want to keep knowing them. It is gridlock because we all do this.

I verbalize the words: "I don't need you" every single day. I've said it to my mom, I've said it to my dad, I've said it to my sister, to my brothers, to my friends, to boyfriends, to teachers, to confidantes, to anyone that could remotely affect me. I've said it to friends about other friends. I say, "I like them, I care about them, but I don't need them." 

This, this is something I have said about those I need most. If I admit that I need them, then for me, it feels like they have the power to wound me. The truth is, they have it anyway, because I do care, they just might not know how much. And this perceived notion that I don't care lets them off the hook to show how much they actually care, if indeed they do. (That last bit was me protecting myself even as I write about being open. It never stops.)

The truth is, I care about the people in my life deeply. If you're in my life at all, I care about you. I am so afraid that I don't have the capacity to share who I am fully. I am so afraid that I will be rejected. I am so afraid. It's like a sickness, my fear.

Even as I write this now I find myself censoring my words, my heart. I'm afraid that someone will read this and think: "God, she is so freaking dramatic. I'm so glad she moved to Los Angeles so I never have to see her again unless she makes it, in which case, ugh, I am so jealous, because honestly, she isn't even funny or pretty, or nice, or anything."

I thought this thought the other day: "We are all scared people pretending not to be." I am a huge offender. 

Another phrase I use to hold people at bay is this: "Everyone is the worst, and I am the worst of all."

This comes from a place of shame. Shame is like a cancer, and it will destroy you if it isn't addressed. Shame is what we feel about who we are, and it's why we hide. It can come out of regret, it can come out of past hurt, it can seemingly come out of nowhere. For me, it comes out of past hurt, of past heartbreak. Not always the kind involving a girl and a boy, though it's been known to happen (both me breaking and being broken), but also heartbreak from friends, of let downs from my parents, of jobs I didn't get, of hugs not given, of love and compassion I didn't give myself; in short, when something happened that made me feel like I was not enough.

I listened to a Ted Talk another friend emailed to me (I know, haha, Ted Talks, but those are good!) and the woman, Brene Brown, talked about shame, courage, authenticity and vulnerability. 

She said this:  

"Shame feeds into our sense of worthiness. Those that have a strong sense of love and belonging believe they are worthy of connection. "

After talking to another dear friend about how hard it is for comedians to accept praise and compliments, I concluded that for me, it has a lot to do with the innate feeling that nothing quite fills me — discontent. The irony is that performers are perhaps the neediest people when it comes to them, but accepting praise (love and belonging) is difficult because we can stop for a second and be ok with our apparent success. For me, I always felt being content was the opposite of being driven. This is faulted. It is just not true. Being discontent, not accepting love from others, keeps us out of and feeling unworthy of connection. One can accept love/praise/compliments/etc, and still strive to be a better version of themselves on stage and otherwise, a more real version of yourself, yourself. Your real self.

To have real connection with others is a result of both parties being authentic: letting go of who I want to convey I am, and just be who I am: being vulnerable. 

I am not a vulnerable person, and my personality and actions are often calculated. As I'm writing this, I am rewriting, trying to be more clear, trying to show what I want to show, trying to be authentic, but somehow feeling like I am not, while still writing well, while still making a point, while I don't know. It's as if I want to share more about the specifics of my life, but the truth is I don't want everyone to know my truths. But, I want to be open to those who want to know me and who I want to know. The nitty gritty truths of our experiences aren't what's truly important, but rather they're things that draw us closer to each other. I don't think it's appropriate to tell everyone everything all the time, I'll say it again, but we're not alone in those experiences. And to try to go it alone is an upward and losing battle. I'm realizing this, and to keep myself an arm's length away is really hard and very lonely, and it's not worth it.

I'm just trying to have courage to share what I am going through as a person, because I think a lot of us go through this. A lot of people think we have to be some version of ourselves so someone somewhere will think something of us. Some. Some. Some. I'm trying to tell the story, the truth of who I am with my whole heart. I'm trying to have the courage to be imperfect, to be compassionate to myself so I can show compassion to others, to be real, to accept not except that being vulnerable means being ok that someone might read the first line of this and think, "Fuck this bitch. She is too much for me." It doesn't feel good, but it's necessary in order to be open.

I might be too much, but I would rather be all of me, then just some of me.

There is more, there's always more, but this is where I am at today. Hopefully I don't delete this tomorrow.

Updates

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settled

Two nights ago I couldn't sleep. After returning late from an improv show at iO I was stuck thinking and rethinking about everything that had happened before, during, and after the show. Since I'm moving to Los Angeles in about a month all I've done lately is reflect on my years in Chicago. I had a few things to do on my checklist before I could leave here. I've done them all, and now I'm more than ready. But it's been all the things and people between those bullet points that have made Chicago everything. I landed here by default, but I chose to stay for as long as I have because I loved it.

All night Monday I was up going through drawers in my bedroom, clearing out what I assumed would be junk, but what I found instead was treasure. I found countless notes, cards and keepsakes from nights out. These were things I knew I would want to look at again before I boxed them in an old shoebox. I know myself well enough to know that these are the things I'll want to look back at when feeling low, maybe in LA, maybe wherever I go after that.

One of my favorite little things I found was a piece of white computer paper that I had written some thoughts on one night while at my parents house. There were existential questions like, "Why are we here?" and hopefully non-predictive statements such as, "Eventually, I will be broke," accompanied by an arrow pointing to the name: Peter Francis Geracy, Illinois' premier bankruptcy attorney. I can't decide if I meant PFG will say this or if he's whom I should call about going broke in the future. Both seem like viable options. But, what I liked most about this note I'd unintentionally written to myself was this poem:

They never loved you
I never loved you
I loved you, but I didn't
I did as much as I could

-and I was timid.
I was nervous. and I acted like we were new. and then it was old.
we were old. and we weren't supposed to be together
-and now I'm scared that I'll be alone and you were it.
and now I'm alone, but I never settled
Is that better?

-I wasted your time.
-I wasted your time.

It was followed with this:

If I were me right now I'd run. I'd be fine, until right before. My heart would race like crazy and I'd convince myself it wasn't nerves -- until I'd realize that would mean I'd have a heart condition. I have it all prepared. I have it played out in my mind. Why does my body convince itself it's not ready. Not prepared. No one else up here is really all that special. Every day I think -- I could do that. But here I am failing at the one thing I want. It'd be sort of funny to want to be a banker. And every time you count money you can't count because money made you so nervous. Living in general would be difficult. Money is such a big part of life. It really is.

There's this constant push to be moving forward, and I love that push. I love that drive, that fire, to pursue life fully despite nerves, despite fear, despite obstacles. It's a funny thing to never feel settled, and perhaps it's less in the destination, but more in the people where you're settled. Once you find your people, that's where the comfort is. So for me, I'm settled in Chicago. I'm settled in Iowa. I'm settled in the U.P. I'm settled in Lake Forest. I'm settled in San Francisco. I'm settled in Los Angeles. I'm settled all over because everyone I love is out there pursuing their lives, as I am.

So no, I did not waste anyone's time and no one wasted mine.